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PICTURE, IF YOU WILL, the woman poet of the romantic era, toiling away in obscurity, fearful of putting her name before the public—of being seen and recognized as a writer, publishing book after book anonymously or under the veil of "by a lady," or using some other subterfuge to keep her true identity secret. This woman poet, this familiar portrait, is a fiction—as much a myth, it seems, as the notion of poetry coming as spontaneously and "as naturally as the Leaves to a tree." 1
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