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Things (2019)ThingsTouched by Fashion: On Feeling What we Wear (2024)Touched by Fashion: On Feelin…Ancient Marbles: Philosophical Reflections on the Restoration of Sculpture (2022)Ancient Marbles: Philosophica…Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste? (2021)Authenticity and Originality,…On the Ethics of Reconstructing Destroyed Cultural Heritage Monuments (2020)On the Ethics of Reconstructi…Aesthetic obligations (2020)Aesthetic obligationsOxford Handbook of Aesthetics (2004)Tangible and Intangible Heritage: from difference to convergence (2004)Cultural Appropriation and the Arts (2008)Tourism-led adaptive reuse of the built vernacular heritage: A critical assessment of the transformation of historic neighbourhoods in Cappadocia, Turkey (2023)National Gallery Technical Bulletin (1979)Color and Culture: Practice and Meaning from Antiquity to Abstraction (1998)Russian blues reveal effects of language on color discrimination (2007)Embracing Humanness in Cultural Materials Conservation: A Roundtable Discussion with Conservation Professionals on Ethics, Values and the Future (2023)Creative Conservation: A New Approach for the Interpretation and Conservation of Memory (2025)Critique of the Power of Judgment (2000)Self-Constitution (2009)Stanford Encyclopedia of Philosophy (2016)Languages of Art: An Approach to a Theory of Symbols (1971)The Heritage Crusade and the Spoils of History (1998)Art and its Objects (2015)II.—WHAT IS AN EMOTION ? (1884)Gender trouble: feminism and the subversion of identity (1990)Making (2013)
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  • 2020Aesthetic obligations38 cited
  • 2020On the Ethics of Reconstructing Destroyed Cultural Heritage Monuments29 cited
  • 2021Authenticity and Originality, Objectivity and Subjectivity in Conservation Decision-making – or is it Just a Matter of Taste?7 cited
  • 2022Ancient Marbles: Philosophical Reflections on the Restoration of Sculpture1 cited
  • 2024Touched by Fashion: On Feeling What we Wear1 cited

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