SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Uncrowned King of Swing
0 references·5 citing·16 second hop
The Uncrowned King of Swing (2005)The Uncrowned King of SwingPassing Tones: Shifting National, Social, and Musical Borders in Jazz-Age Harlem (2020)Passing Tones: Shifting Natio…Rethinking Interaction in Jazz Improvisation (2016)Rethinking Interaction in Jaz…Ellington’s Afro-Modernist vision in the 1920s (2014)Ellington’s Afro-Modernist vi…Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet (2012)Jazzing the Classics: Race, M…“I Dream of Her and Avalon”: 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom (2008)“I Dream of Her and Avalon”: …Place and Placelessness (1978)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Dialectic of Enlightenment (2020)Blues People: Negro Music in White America (1963)The power of black music: interpreting its history from Africa to the United States (1995)Music and the racial imagination (2000)The Jazz cadence of American culture (1999)Race music: black cultures from bebop to hip-hop (2004)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)Talking Back (2016)Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’sThe Complete Live at the Plugged Nickel 1965 (2019)Pedagogías activas y recreativas: la educación musical en el siglo XXI (2023)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Transnationalism in Question (2004)Policing Borders, Producing Boundaries. The Governmentality of Immigration in Dark Times (2010)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2020Passing Tones: Shifting National, Social, and Musical Borders in Jazz-Age Harlem17 cited
  • 2012Jazzing the Classics: Race, Modernism, and the Career of Arranger Chappie Willet3 cited
  • 2008“I Dream of Her and Avalon”: 1930s Sweet Jazz, Race, and Nostalgia at the Casino Ballroom2 cited
  • 2014Ellington’s Afro-Modernist vision in the 1920s2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work