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Hybride Genres
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Hybride Genres (2020)Hybride GenresGenrekino (2017)GenrekinoA history of Italian cinema (2010)A history of Italian cinemaThe shifting definitions of genre: essays on labeling films, television shows and media (2008)The shifting definitions of g…Film- und Fernsehanalyse (2007)Film- und FernsehanalyseFilm Genre: From Iconography to Ideology (2007)Film Genre: From Iconography …Refiguring American film genres: history and theory (1998)Refiguring American film genr…American film melodrama: Griffith, Vidor, Minnelli (1989)American film melodrama: Grif…Home is where the heart is: studies in melodrama and the woman's film (1988)Home is where the heart is: s…Horrality— The Textuality of Contemporary Horror Films (1986)Horrality— The Textuality of …Hollywood Genres: Formulas, Filmmaking, and the Studio System (1982)Hollywood Genres: Formulas, F…Showdown: Confronting Modern America in the Western Film (1981)Showdown: Confronting Modern …Clint Eastwood and Male Weepies (2009)Formen und Funktionen von Genrebenennungen (2018)Formen und Funktionen von Genrebenennungen (2020)Film Bodies: Gender, Genre, and Excess (1991)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Traveling style: Aesthetic differences and similarities in national adaptations of Yo soy Betty, la fea (2011)Sozialisation in mediatisierten Welten (2017)Die soziologische Filmanalyse – Relevanz, Vorgehen und Ziel (2018)Gender studies et études filmiques (2005)Irresistible Death: 21 Grams as Melodrama (2007)Melodrama and film noir on today's big screen: How modern audiences experience yesterday's classics. (2008)‘The Iron Curtain’ (1948): Hollywood's first Cold War movie (1988)Cowboys and Free Markets: Post-World War II Westerns and U.S. Hegemony (2000)Genre, Authorship and Contemporary Women Filmmakers (2018)Genre and game studies: Toward a critical approach to video game genres (2006)Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production (2006)Multiple Category Memberships in Markets: An Integrative Theory and Two Empirical Tests (2009)Enlightenment, empowerment and emancipation: the case for critical pedagogy in nurse education (1996)WHY HORROR? THE PECULIAR PLEASURES OF A POPULAR GENRE (1997)Toward a “Modest Pedagogy”: Reflections on the Problematics of Critical Pedagogy (2002)Against realism: on a ‘certain tendency’ in Italian film criticism (2011)The Italian breakfast: Mulino Bianco and the advent of a family practice (1971-1995) (2018)Nineteenth-Century Opera and the Scientific Imagination (2019)Honor and Dignity in the Film Unforgiven : Implications for Sociolegal Theory (2006)Fiction Film and the Varieties of Empathic Engagement (2010)Contingency, causality, complexity: distributed agency in the mind-game film (2017)Don't Call Me That: A Techno-Feminist Critique of the TermMommy Blogger (2013)Genre- und Autorentheorie (2020)Genrediskurs (2020)
this work references cited by second hop

References

  • 1988Home is where the heart is: studies in melodrama and the woman's film719 cited
  • 1982Hollywood Genres: Formulas, Filmmaking, and the Studio System510 cited
  • 2007Film- und Fernsehanalyse311 cited
  • 1986Horrality— The Textuality of Contemporary Horror Films185 cited
  • 2007Film Genre: From Iconography to Ideology178 cited
  • 1998Refiguring American film genres: history and theory106 cited
  • 2010A history of Italian cinema103 cited
  • 2008The shifting definitions of genre: essays on labeling films, television shows and media44 cited
  • 1981Showdown: Confronting Modern America in the Western Film36 cited
  • 1989American film melodrama: Griffith, Vidor, Minnelli29 cited
  • 2017Genrekino28 cited

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