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Cited by

• 2015Multidisciplinary approach for the study of an Egyptian coffin (late 22nd/early 25th dynasty): Combining imaging and spectroscopic techniques33 cited
• 2008Characterization of paint and varnish on a medieval Coptic-Byzantine icon: Novel usage of dammar resin32 cited
• 2023Making and working Egyptian blue – a review of the archaeological evidence27 cited
• 2021Revealing Artists’ Collaboration in a 14th Century Manuscript by Non-Invasive Analyses22 cited
• 2025Fourier Transform Infrared (FTIR) Database of Historical Pigments: A Comparison Between ATR-FTIR and DRIFT Modalities19 cited
• 2011Study of Mural Paintings UsingIn SituXRF, Confocal Synchrotron-μ-XRF, μ-XRD, Optical Microscopy, and SEM-EDS—The Case of the Frescoes from Misericordia Church of Odemira18 cited
• 2014Pigment analysis of Portuguese portrait miniatures of 17th and 18th centuries by Raman Microscopy and SEM‐EDS17 cited
• 2013A multi-analytical study of the fifteenth century mural paintings of the Batalha Monastery (Portugal) in view of their conservation15 cited
• 2016Existence of nanoparticles in azurite and malachite pigments – Raman spectroscopy and X-ray diffraction studies14 cited
• 2024Discrimination of natural and synthetic forms of azurite: An innovative approach based on high-resolution terahertz continuous wave (THz-CW) spectroscopy for Cultural Heritage11 cited