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Cited by

• 2011A HISTORY LONG OVERDUE:28 cited
• 2014“We Are All Workers”26 cited
• 2006“As a Mexican I Feel It’s My Duty:” Citizenship, Censorship, and the Campaign Against Derogatory Films in Mexico, 1922–193024 cited
• 2011Social Class, Experiences of Distinction and Cinema in Postwar Ghent23 cited
• 2000Moralizing upward mobility: Investigating the myth of class mobility inworking girl22 cited
• 2013The New European Cinema of Precarity: A Transnational Perspective20 cited
• 2001Class and Audience Effects: A History of Research on Movies, Radio, and Television18 cited
• 2004From Regulation to Censorship: Film and Political Culture in New York in the Early Twentieth Century17 cited
• 2012Responding to the Talkies10 cited
• 2001Theory through history: Exploring scholarly conceptions of U.S. alternative media10 cited
• 2010The ‘New Woman’, star personas, and cross-class romance films in 1920s America8 cited
• 2011PROJECTING THE PROMISE OF 16MM, 1935–457 cited
• 2011BIG, FAST MUSEUMS / SMALL, SLOW MOVIES:6 cited
• 2014House and Home4 cited
• 2019Race, Sexuality, and the 1920s Stage Model