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Materials Issues in Art and Archaeology III
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  • 1996The Thorny Oyster and the Origins of Empire: Implications of Recently Uncovered Spondylus Imagery from Chan Chan, Peru78 cited
  • 2000SCIENTIFIC ANALYSIS OF SEVENTH‐CENTURY GLASS FRAGMENTS FROM THE CRYPTA BALBI IN ROME*77 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2013Technology, production and chronology of red window glass in the medieval period – rediscovery of a lost technology71 cited
  • 1994X‐RAY MICROANALYSIS OF ANCIENT GLASSY MATERIALS: A COMPARATIVE STUDY OF WAVELENGTH DISPERSIVE AND ENERGY DISPERSIVE TECHNIQUES*56 cited
  • 1996Outdoor Bronze Statues: Analysis of Metal and Surface Samples52 cited
  • 2000Ceramic Tradition in the African Forest: Characterisation Analysis of Ancient and Modern Pottery from Ituri, D.R. Congo52 cited
  • 2013The glass of the “Casa delle Bestie Ferite”: a first systematic archaeometric study on Late Roman vessels from Aquileia43 cited
  • 2014Materializing Harappan identities: Unity and diversity in the borderlands of the Indus Civilization39 cited
  • 2012The Arrival and Development of Pressure Blade Technology in Southern Scandinavia36 cited
  • 2005Bitumen as Hafting Material on Middle Paleolithic Artifacts from the El Kowm Basin, Syria36 cited
  • 1999LEAD ISOTOPE AND TRACE ELEMENT ANALYSIS IN THE STUDY OF OVER A HUNDRED SOUTH INDIAN METAL ICONS*35 cited

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  • 2023Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses31 cited
  • 2008Colour in Minoan faience28 cited
  • 2006A pottery workshop with flint tools on blades knapped with copper at Nausharo (Indus civilisation, ca. 2500 BC)27 cited
  • 2006Non-destructive micro-X-ray diffraction analysis of painted artefacts: Determination of detection limits for the chromium oxide–zinc oxide matrix26 cited