SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Death of Character
0 references·16 citing·50 second hop
The Death of Character (1996)The Death of CharacterBetween Postdramatic Text and Dramatic Drama: Recent German-Language Playwriting by Lukas Bärfuss and Katja Brunner (2020)Between Postdramatic Text and…A luz na gênese do espetáculo (2017)A luz na gênese do espetáculoThe expanding galaxy of performing arts: extending theories and questioning practices (2016)The expanding galaxy of perfo…Turning Tourists into Performers: Revaluing agency, action and space in sites of heritage tourism (2013)Turning Tourists into Perform…Hero takes a fall: A lesson from theatre for leadership (2010)Hero takes a fall: A lesson f…When the Voice Itself Is Image (2009)When the Voice Itself Is ImageGetting the ‘Now’ into the Written Text (and vice versa): Developing dramaturgies of process (2009)Getting the ‘Now’ into the Wr…A comparative analysis of the relationship between dramaturgy and epistemology in the praxis of Gavin Bolton and Dorothy Heathcote (2008)A comparative analysis of the…The Cambridge History of Twentieth-Century English Literature (2005)The Cambridge History of Twen…Literature and cinema (2005)Literature and cinemaThe Theatrical Biosphere and Ecologies of Performance (2000)The Theatrical Biosphere and …The Cambridge History of American Theatre (2000)The Cambridge History of Amer…More-and-Less-Than: Liveness, Video Recording, and the Future of Performance (2000)More-and-Less-Than: Liveness,…American Theatre in Context: 1945–Present (2000)American Theatre in Context: …Autobiographical performance and carnivorous knowledge: Rae C. Wright'sanimal instincts (1998)Autobiographical performance …Against Ontology: Making Distinctions between the Live and the Mediatized (1997)Against Ontology: Making Dist…Being and Time (1927)Postmodernism, or, The cultural logic of late capitalism (1991)The Black Atlantic: Modernity and Double Consciousness (1994)‘Urban Complexity’ from a Literary and Cultural Studies Perspective: Key Cultural Dimensions and the Challenges of ‘Modeling’ (2013)Imperial Eyes (1900)Sister Outsider: Essays and Speeches (1984)Life on the Screen: Identity in the Age of the Internet (1997)An imaginary England: Nation, landscape and literature (2007)Reading the Ruins: Modernism, Bombsites and British Culture (2011)The Modern Synthesis: Genetics and Dystopia in the Huxley Circle (2016)Culture Theory: Essays on Mind, Self, and Emotion (1987)Mind and nature : a necessary unity (1988)Finding creativity : integrating drama teaching techniques in creative writing lessons (2015)Course in General Linguistics (2017)Chasing fleeing animals – on the dramaturgical method and the dramaturgical analysis of teaching (2021)Process drama in Chinese education: Possibilities and challenges in governmental policy papers and the curriculum of moral education (2021)Marxism and Literature (1977)3.2. MARXISM AND LITERATURE (2006)Uses of Heritage (2006)Eco-Shakespeare in Performance: Introduction (2018)QUEER AS A QUEER GUIDED TOUR (2021)Second life: Liminal tourism spaces as sites for lifestyle migration, an exploration of Niseko, Japan (2021)Philosophical Investigations (1954)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)Processes and rhetorics of writing in contemporary British devising: Frantic Assembly and Forced Entertainment (2013)Servant leadership: A journey into the nature of legitimate power and greatness (1979)Leadership and Performance beyond Expectations (1987)Developing the artist-leader (2010)Leading aesthetically in uncertain times (2010)Show us the sound! Aesthetic leadership of symphony orchestra conductors (2011)The Presentation of Self in Everyday Life (2023)Writing and Difference (1980)Unmarked: The Politics of Performance (1994)The Semiotics of Theatre and Drama (2003)Depth‐charge in the archive: the documentation of performance revisited in the digital age (2010)Together, Apart: Liveness, Eventness, and Streaming Shakespearean Performance (2017)Post-performance: Pandemic Breach Experiments, Big Theatre Data, and the Ends of Theory (2023)Noise, the Political Economy of Music (1989)Performance and cultural politics (1996)Moving in the Cityscape: Performance and the Embodied Experience of theFlâneur (1999)Unmarked (2003)Experiências do real no teatro (2013)The Temporality of the Landscape Revisited (2016)Iconology (1986)Showing seeing: a critique of visual culture (2002)Postdramatic Theatre (2006)Der nicht mehr dramatische Theatertext (1997)Dictionary of the Theatre (1998)Tragedy and Dramatic Theatre (2016)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2005The Cambridge History of Twentieth-Century English Literature97 cited
  • 2010Hero takes a fall: A lesson from theatre for leadership55 cited
  • 1997Against Ontology: Making Distinctions between the Live and the Mediatized26 cited
  • 2000More-and-Less-Than: Liveness, Video Recording, and the Future of Performance20 cited
  • 2005Literature and cinema18 cited
  • 2008A comparative analysis of the relationship between dramaturgy and epistemology in the praxis of Gavin Bolton and Dorothy Heathcote15 cited
  • 2017A luz na gênese do espetáculo13 cited
  • 2013Turning Tourists into Performers: Revaluing agency, action and space in sites of heritage tourism12 cited
  • 2020Between Postdramatic Text and Dramatic Drama: Recent German-Language Playwriting by Lukas Bärfuss and Katja Brunner9 cited
  • 2009Getting the ‘Now’ into the Written Text (and vice versa): Developing dramaturgies of process9 cited
  • 2009When the Voice Itself Is Image8 cited
  • 1998Autobiographical performance and carnivorous knowledge: Rae C. Wright'sanimal instincts8 cited
  • 2016The expanding galaxy of performing arts: extending theories and questioning practices8 cited
  • 2000The Theatrical Biosphere and Ecologies of Performance

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

8 cited
  • 2000The Cambridge History of American Theatre6 cited
  • 2000American Theatre in Context: 1945–Present4 cited