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The Actor in Costume
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The Actor in Costume (2010)The Actor in CostumeThinking with costume and material: a critical approach to (new) costume ecologies (2021)Thinking with costume and mat…Real Theatre (2018)Real TheatreA Theoretical Framework for the Creative Process of Theatrical Costume Design for Historically Set Productions (2018)A Theoretical Framework for t…Material migrations of performance (2017)Material migrations of perfor…Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity (2017)Debating critical costume: ne…The Sandow Girl and her sisters: Edwardian musical comedy, cultural transfer and the staging of the healthy female body (2014)The Sandow Girl and her siste…Performativity and the historical body: Detecting performance through the archived costume (2013)Performativity and the histor…Authorized absence: Theatrical representations of authorship in three contemporary ghost plays (2012)Authorized absence: Theatrica…The Haunted Stage (2001)The haunted stage: the theatre as memory machine (2002)The Haunted (2007)How To Do Things With Words (1975)Mind in Matter: An Introduction to Material Culture Theory and Method (1982)The Commodity Culture of Victorian England: Advertising and Spectacle, 1851-1914. (1992)Historical materiality of performance: On the costumes of The Rite of Spring (1913) (2020)The Body as the Matter of Costume: A Phenomenological Practice (2020)Critical Costume 2020: Investigating costume agency (2021)Seeing through clothes (1978)The Fashioned Body: Fashion, Dress and Modern Social Theory (2000)The corset: a cultural history (2002)The Social Life of Things (1986)Home (2006)Vibrant Matter (2010)Exploring the Affective and Spatial Politics of Choral Music Performance through Focus Groups with Singers (2023)Gender trouble: feminism and the subversion of identity (1990)Performance Studies: An Introduction (2003)RuPaul’s Drag Race: A study in the commodification of white ruling-class femininity and the etiolation of drag (2018)Celebrating Bowery: Radical costume parties as queer heterotopia in Brisbane (2020)Unfolding a vision embedded in a garment: Three tools from a toolbox for generating performance from costume design (2021)The Presentation of Self in Everyday Life (2023)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Strategies for ensuring trustworthiness in qualitative research projects (2004)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Meeting the Universe Halfway (2007)The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art (2023)The active white coats: a costume studies approach to the performance of medicine in Life Matters (2019) (2025)The phenomenon of creative images of Dimash Qudaibergen in the context of sustainable development of the cultural values of Kazakhstan (2025)Laboratory Life: The Construction of Scientific Facts (1986)Reassembling the Social (2005)Theater as Data (2020)
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  • 2013Performativity and the historical body: Detecting performance through the archived costume35 cited
  • 2017Debating critical costume: negotiating ideologies of appearance, performance and disciplinarity26 cited
  • 2021Thinking with costume and material: a critical approach to (new) costume ecologies18 cited
  • 2018Real Theatre8 cited
  • 2018A Theoretical Framework for the Creative Process of Theatrical Costume Design for Historically Set Productions8 cited
  • 2017Material migrations of performance7 cited
  • 2012Authorized absence: Theatrical representations of authorship in three contemporary ghost plays6 cited
  • 2014The Sandow Girl and her sisters: Edwardian musical comedy, cultural transfer and the staging of the healthy female body5 cited

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