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Hello, Hello Brazil
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  • 2010The Managers, the Managed, and the Unmanageable: Negotiating Values at the Buenos Aires International Music Fair60 cited
  • 2013Music, identity, and musical ethnocentrism of young people in six A sian, L atin A merican, and W estern cultures30 cited
  • 2011“We Live Daily in Two Countries”28 cited
  • 2011Technobrega, Forró, Lambadão24 cited
  • 2011Orpheonic Chant and the Construction of Childhood in Brazilian Elementary Education23 cited
  • 2014A Century in the Present Tense22 cited
  • 2008Music, Mixing and Modernity in Rio de Janeiro16 cited
  • 2014The Informal City16 cited
  • 2018From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music12 cited
  • 2011Zhen Brasil’s Japanese Brazilian Groove12 cited
  • 2015‘Digital indigestion’: cumbia, class and a post-digital ethos in Buenos Aires12 cited
  • 2021Henrietta Yurchenco, música indígena e indigenismo interamericano en la década de 194011 cited
  • 2011Place markers: Tracking spatiality in Brazilian hip‐hop and community radio9 cited
  • 2006Obverse Colonization: SÃo Paulo, Global Urbanization And The Poetics Of The Latin American City6 cited

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  • 2012Virtual Materiality: Collectors and Collection in the Brazilian Music Blogosphere5 cited
  • 2010The celebritisation of Carmen Miranda in New York, 1939–414 cited