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Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies
8 references·7 citing·38 second hop
Tracking the DJs: Vinyl Records, Work, and the Debate over New Technologies (2005)Tracking the DJs: Vinyl Records, Work, an…Collecting in a Consumer Society (2013)Collecting in a Consumer Soci…Discographies (2002)DiscographiesAuthenticity Within Hip-Hop and Other Cultures Threatened with Assimilation (1999)Authenticity Within Hip-Hop a…Sexing the Groove: Popular Music and Gender (1998)Sexing the Groove: Popular Mu…The second wave : a reader in feminist theory (1997)The second wave : a reader in…Defining Phonography: An Experiment in Theory (1997)Defining Phonography: An Expe…Performing Rites (1996)Performing RitesFree, Single, and Disengaged: Listening Pleasure and the Popular Music Object (1990)Free, Single, and Disengaged:…SoundCloud and Bandcamp as Alternative Music Platforms (2019)SoundCloud and Bandcamp as Al…Sista Girl Rock: Women of Colour and Hip-Hop Deejaying as Raced/Gendered Knowledge and Language (2017)Sista Girl Rock: Women of Col…What is bluegrass anyway? Category formation, debate and the framing of musical genre (2012)What is bluegrass anyway? Cat…Virtual Materiality: Collectors and Collection in the Brazilian Music Blogosphere (2012)Virtual Materiality: Collecto…Locating the DJ: Black Popular Music, Location and Fields of Cultural Production (2012)Locating the DJ: Black Popula…Digging in the crates (2012)Digging in the cratesDJ Culture in the Commercial Sydney Dance Music Scene (2009)DJ Culture in the Commercial …Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Club cultures: music, media and subcultural capital (1996)In Search of Authenticity* (2005)The Girl Hunt: Urban Nightlife and the Performance of Masculinity as Collective Activity (2007)The Concept of Authenticity: What It Means to Consumers (2021)Computing Machinery and Intelligence (1950) (2004)The mp3 as cultural artifact (2006)The Work of Art in the Age of Mechanical Reproduction (2007)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)Theses on the Philosophy of History (2020)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Qualitative inquiry and research design: choosing among five traditions. (1998)Qualitative research & evaluation methods (2002)Two-sided markets: a progress report (2006)The Platformization of the Web: Making Web Data Platform Ready (2015)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)The streaming network: Conceptualizing distribution economy, technology, and power in streaming media services (2020)Music streaming platforms and self-releasing musicians: the case of China (2021)The Nested Precarities of Creative Labor on Social Media (2021)Older Consumers' Disposition of Special Possessions (2000)Utopian Enterprise: Articulating the Meanings ofStar Trek's Culture of Consumption : Figure 1 (2001)How Brand Community Practices Create Value (2009)Jammin’ the Blues , or the Sight of Jazz, 1944 (1995)Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music (2009)The Music CD and Its Ends (2009)Performing identity within a multicultural framework (2005)The Marketplace Management of Illicit Pleasure (2008)Dance and Sexuality: Many Moves (2010)Intergenerational Geographies: Age Relations, Segregation and Re‐engagements (2007)Sluts and Riot Grrrls: Female Identity and Sexual Agency (2007)Towards a critical understanding of music, emotion and self‐identity (2008)The Production of Culture Perspective (2004)Classification as Culture: Types and Trajectories of Music Genres (2008)Gender Differences in Risk Perception: Theoretical and Methodological Perspectives (1998)A Semiotics of the Public/Private Distinction (2002)Disgusted Subjects: The Making of Middle-Class Identities (2005)
this work references cited by second hop

References

  • 1996Performing Rites1,123 cited
  • 1997The second wave : a reader in feminist theory684 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 1999Authenticity Within Hip-Hop and Other Cultures Threatened with Assimilation382 cited
  • 2013Collecting in a Consumer Society347 cited
  • 2002Discographies137 cited
  • 1997Defining Phonography: An Experiment in Theory81 cited
  • 1990Free, Single, and Disengaged: Listening Pleasure and the Popular Music Object48 cited

Cited by

  • 2019SoundCloud and Bandcamp as Alternative Music Platforms110 cited
  • 2017Sista Girl Rock: Women of Colour and Hip-Hop Deejaying as Raced/Gendered Knowledge and Language30 cited
  • 2012Digging in the crates30 cited
  • 2009DJ Culture in the Commercial Sydney Dance Music Scene26 cited
  • 2012What is bluegrass anyway? Category formation, debate and the framing of musical genre9 cited
  • 2012Locating the DJ: Black Popular Music, Location and Fields of Cultural Production5 cited
  • 2012Virtual Materiality: Collectors and Collection in the Brazilian Music Blogosphere5 cited

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