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Cited by

• 2011Participatory media fandom: A case study of anime fansubbing158 cited
• 2013A brand new future? Cool Japan and the social imaginary of the branded nation80 cited
• 2018Transnational fandom in the making: K-pop fans in Vancouver78 cited
• 2011Anime fandom and the liminal spaces between fan creativity and piracy73 cited
• 2017A ‘real’ fantasy: hybridity, Korean drama, and pop cosmopolitans53 cited
• 2009Books, Not Comics: Publishing Fields, Globalization, and Japanese Manga in the United States40 cited
• 2012Cartoon planet: the cross-cultural acceptance of Japanese animation35 cited
• 2010Iron Chef around the world31 cited
• 2011Transcultural creativity in anime: Hybrid identities in the production, distribution, texts and fandom of Japanese anime30 cited
• 2016Transnational cult and/as neoliberalism: the liminal economies of anime fansubbers28 cited
• 2013Did manga conquer America? Implications for the cultural policy of ‘Cool Japan’26 cited
• 2010Comics worlds and the world of comics : towards scholarship on a global scale25 cited
• 2021Appropriating the Shinsengumi: Hakuoki Fan Fiction as Transmedial/Transcultural Exploration23 cited
• 2012The reception and consumption of Hallyu in Sweden : Preliminary findings and reflections