SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Cohn Functions
0 references·11 citing·34 second hop
Cohn Functions (1996)Cohn FunctionsHalf‐Diminished Seventh Chords and Their Contexts (2020)Half‐Diminished Seventh Chord…Alfred Schnittke’s Triadic Practice (2017)Alfred Schnittke’s Triadic Pr…Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music (2016)Types and Applications of P3,…Bridging scale theory and geometrical approaches to harmony: the voice-leading duality between complementary chords (2016)Bridging scale theory and geo…Models and Music Theory (2011)Models and Music TheoryStructural properties of Euclidean rhythms (2009)Structural properties of Eucl…Mathematical and Musical Properties of Pairwise Well-Formed Scales (2009)Mathematical and Musical Prop…Affinity Spaces and Their Host Set Classes (2009)Affinity Spaces and Their Hos…A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue fromWTCI (2007)A Tetrahelix Animates Bach: R…Aspects of Depth in K-Net Analysis with Special Reference to Webern's Opus 16/4 (2005)Aspects of Depth in K-Net Ana…An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory (2004)An Informal Introduction to S…Models and Analogies in Science (1965)The Principles of Scientific Thinking (1970)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)A Tonnetz model for pentachords (2013)Music Theory, Phenomenology, and Modes of Perception (1986)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Journal of Music Theoryover the Years (2006)Bach and the Patterns of Transformation (2015)Hipster Harmony (2015)Klumpenhouwer Networks and Some Isographies That Involve Them (1990)Generalized Interval Systems for Babbitt's Lists, and for Schoenberg's String Trio (1995)Generalized Musical Intervals and Transformations (2007)Variety and Multiplicity in Diatonic Systems (1985)Maximally Even Sets (1991)The distance geometry of music (2008)A review of Godfried Toussaint's The Geometry of Musical Rhythm (2022)ON THE EUCLIDEAN ALGORITHM: RHYTHM WITHOUT RECURSION (2022)Early Indian Heptatonic Scales and Recent Diatonic Theory (1993)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Exploring the Syntonic Side of Major-Minor Tonality (2019)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Generalized Tonnetz and Well-Formed GTS: A Scale Theory Inspired by the Neo-Riemannians (2009)Metaphors in Motion (2009)Audacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Generalized Musical Intervals and Transformations (1988)Distant Neighbors and Interscalar Contiguities (2019)Music and Discourse: Toward a Semiology of Music (1991)Ways of listening: an ecological approach to the perception of musical meaning (2006)Aggregates and Quasi-Aggregates: A Study of Dodecaphony in Schnittke’s Music (2019)Aspects of Well-Formed Scales (1989)Scale Networks and Debussy (2004)Virtual Segments: The Hexachordal System in the Late Middle Ages (2006)A theory of voice-leading sets for post-tonal music (2012)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009Structural properties of Euclidean rhythms15 cited
  • 2009Mathematical and Musical Properties of Pairwise Well-Formed Scales14 cited
  • 2004An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory14 cited
  • 2016Bridging scale theory and geometrical approaches to harmony: the voice-leading duality between complementary chords8 cited
  • 2007A Tetrahelix Animates Bach: Revisualization of David Lewin’s Analysis of the Opening of the F# Minor Fugue fromWTCI8 cited
  • 2017Alfred Schnittke’s Triadic Practice6 cited
  • 2016Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music5 cited
  • 2009Affinity Spaces and Their Host Set Classes5 cited
  • 2005Aspects of Depth in K-Net Analysis with Special Reference to Webern's Opus 16/44 cited
  • 2011Models and Music Theory3 cited
  • 2020Half‐Diminished Seventh Chords and Their Contexts3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work