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European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism
11 references·0 citing·36 second hop
European Upper Paleolithic Rock Art: Sacredness, Sanctity, and Symbolism (2017)European Upper Paleolithic Rock Art: Sacr…U-Series Dating of Paleolithic Art in 11 Caves in Spain (2012)U-Series Dating of Paleolithi…Twelve Years of Research in Chauvet Cave: Methodology and Main Results (2012)Twelve Years of Research in C…Verification of the age of the Palaeolithic cave art at Creswell Crags, UK (2005)Verification of the age of th…The mind in the cave: consciousness and the origins of art (2003)The mind in the cave: conscio…A Cosmos in Stone. Interpreting Religion and Society through Rock Art (2003)A Cosmos in Stone. Interpreti…A cosmos in stone: interpreting religion and society through rock art (2002)A cosmos in stone: interpreti…Journey Through the Ice Age (1997)Journey Through the Ice AgeThe age of the Côa valley (Portugal) rock-art: validation of archaeological dating to the Palaeolithic and refutation of ‘scientific’ dating to historic or proto-historic times (1995)The age of the Côa valley (Po…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…The Dawn of European Art: An Introduction to Palaeolithic Cave Painting (1982)The Dawn of European Art: An …Four Hundred Centuries of Cave Art (1952)Four Hundred Centuries of Cav…In Pursuit of the Past (1983)The Upper Paleolithic Revolution (2002)The Upper Paleolithic Rock Art of Iberia (2007)El Paleolítico Superior de la península ibérica (2018)El yacimiento rupestre paleolítico al aire libre de Siega Verde (Salamanca, España): una vision de conjunto (2020)The varieties of religious experience: A study in human nature. (1902)Bright air, brilliant fire: on the matter of the mind (1992)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Pleistocene cave art from Sulawesi, Indonesia (2014)Earliest hunting scene in prehistoric art (2019)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Pego do Diabo (Loures, Portugal): Dating the Emergence of Anatomical Modernity in Westernmost Eurasia (2010)Current issues in late Middle Palaeolithic chronology: New assessments from Northern Iberia (2011)A rock engraving made by Neanderthals in Gibraltar (2014)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)On the Mammal-fauna of the Caves of Creswell Crags (1877)Radiometric dating of the Middle Palaeolithic tool industry and associated fauna of Pin Hole Cave, Creswell Crags, England (1998)The British Final Magdalenian: Society, settlement and raw material movements revealed through LA-ICP-MS trace element analysis of diagnostic artefacts (2012)Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France) (2022)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)Middle paleolithic symbolism: A review of current evidence and interpretations (1987)The Religious Mind and the Evolution of Religion (2006)New views on old hands: the context of stencils in El Castillo and La Garma caves (Cantabria, Spain) (2014)Shamanism: an encyclopedia of world beliefs, practices, and culture (2005)What Is a Hunter-Gatherer? Variation in the Archaeological Record of Eastern and Southern Africa (2005)The Archaeology of Religious Ritual (2007)An Early Case of Color Symbolism (2003)The Whole World Is Watching: New Perspectives on Andean Animism (2015)Wak'as: Entifications of the Andean Sacred (2015)The Case for Hand Stencils and Prints as Proprio-Performative (2013)A Cladistics Analysis Exploring Regional Patterning of the Anthropomorphic Figurines from the Gravettian (2016)Cross-Modality Information Transfer: A Hypothesis about the Relationship among Prehistoric Cave Paintings, Symbolic Thinking, and the Emergence of Language (2018)
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References

  • 2003The mind in the cave: consciousness and the origins of art595 cited
  • 2012U-Series Dating of Paleolithic Art in 11 Caves in Spain575 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1997Journey Through the Ice Age143 cited
  • 1952Four Hundred Centuries of Cave Art92 cited
  • 2002A cosmos in stone: interpreting religion and society through rock art85 cited
  • 2003A Cosmos in Stone. Interpreting Religion and Society through Rock Art82 cited
  • 1995The age of the Côa valley (Portugal) rock-art: validation of archaeological dating to the Palaeolithic and refutation of ‘scientific’ dating to historic or proto-historic times72 cited
  • 1982The Dawn of European Art: An Introduction to Palaeolithic Cave Painting49 cited
  • 2005Verification of the age of the Palaeolithic cave art at Creswell Crags, UK38 cited
  • 2012Twelve Years of Research in Chauvet Cave: Methodology and Main Results18 cited

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