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The Cassette in 1980s Indie Music Scenes
10 references·0 citing·31 second hop
The Cassette in 1980s Indie Music Scenes (2019)The Cassette in 1980s Indie Music ScenesThe space between: Mix taping as a ritual of distance (2016)The space between: Mix taping…The Politics of post-9/11 music: sound, trauma, and the music industry in the time of terror (2012)The Politics of post-9/11 mus…Everybody Loves Our Town: An Oral History of Grunge (2011)Everybody Loves Our Town: An …Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sound Souvenirs : Audio Techn…Site and Sound: Understanding Independent Music Scenes (2004)Site and Sound: Understanding…Heavier Than Heaven: A Biography of Kurt Cobain (2001)Heavier Than Heaven: A Biogra…INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)INDIE: THE INSTITUTIONAL POLI…Rock Formation: Music, Technology, and Mass Communication (1992)Rock Formation: Music, Techno…The cassette underground (1990)The cassette underground‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)‘The magic that can set you f…Zoot Suits and Second-Hand Dresses (1989)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Senseless acts of beauty: cultures of resistance since the sixties (1996)Free Labor (2000)Bourdieu, the media and cultural production (2006)Amateur experts (2009)Marxism and Literature (1977)Subculture: The Meaning of Style. (1981)Media Remembering: the Contributions of Life-Story Methodology to Memory/Media Research (2011)How do people really listen to music today? Conventionalities and major turnovers in German audio repertoires (2015)Passion and nostalgia in generational media experiences (2015)Capital: A Critique of Political Economy (2020)The Presentation of Self in Everyday Life. (1956)Outline of a Theory of Practice (1977)The Presentation of Self in Everyday Life (2023)Technology Adoption and Use in the Aftermath of Hurricane Katrina in New Orleans (2010)SoundCloud and Bandcamp as Alternative Music Platforms (2019)Platform pop: disentangling Spotify’s intermediary role in the music industry (2020)Maximum output for minimum input - 1G3B and the reterritorialization of a Finland-Swedish metal identity on the Internet (2010)Subcultural identity in alternative music culture (1993)Consolidating the music scenes perspective (2004)Media Populism: A Conceptual Clarification and Some Theses on its Effects (2014)In Search of Nirvana: WhyNirvana: The True StoryCould Never Be “True” (2015)Listening for the hiss: lo-fi liner notes as curatorial practices (2018)Afro-Electric Counterpoint (2019)Rethinking Reich (2019)Co-Evolution of Firm Capabilities and Industry Competition: Investigating the Music Industry, 1877-1997 (2001)The Software Slump?: Digital Music, the Democratisation of Technology, and the Decline of the Recording Studio Sector within the Musical Economy (2009)Music and the Internet (2011)“Impulsive” youth suicide attempters are not necessarily all that impulsive (2007)Anyone Can Do It: Traditions of Punk and the Politics of Empowerment (2011)
this work references cited by second hop

References

  • 1999INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE303 cited
  • 1981‘The magic that can set you free’: the ideology of folk and the myth of the rock community243 cited
  • 2009Sound Souvenirs : Audio Technologies, Memory and Cultural Practices224 cited
  • 1992Rock Formation: Music, Technology, and Mass Communication81 cited
  • 2004Site and Sound: Understanding Independent Music Scenes70 cited
  • 2012The Politics of post-9/11 music: sound, trauma, and the music industry in the time of terror56 cited
  • 1990The cassette underground34 cited
  • 2001Heavier Than Heaven: A Biography of Kurt Cobain30 cited
  • 2011Everybody Loves Our Town: An Oral History of Grunge21 cited
  • 2016The space between: Mix taping as a ritual of distance17 cited

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