SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
A Question of Standards: ?My Funny Valentine? and Musical Intertextuality
16 references·0 citing·37 second hop
A Question of Standards: ?My Funny Valentine? and Musical Intertextuality (2004)A Question of Standards: ?My Funny Valent…Irony's Edge (2003)Irony's EdgeWestern Music and Its Others (2001)Western Music and Its OthersPostmodernist Jazz Theory: Afrocentrism, Old and New (1999)Postmodernist Jazz Theory: Af…Show Boat: The Revival, the Racism (1995)Show Boat: The Revival, the R…Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (1995)Rationalizing CultureIRCAM, B…Classical Music and Postmodern Knowledge (1995)Classical Music and Postmoder…From Catfish Row to Granby Street: contesting meaning in Porgy and Bess (1994)From Catfish Row to Granby St…A View from the Piano Bench or Playing John Zorn's Carny for Fun and Profit (1994)A View from the Piano Bench o…Reshaping a Discipline: Musicology and Feminism in the 1990s (1993)Reshaping a Discipline: Music…Charles Ives and Gender Ideology (1993)Charles Ives and Gender Ideol…Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The Cultur…Toward a Reevaluation of Gershwin's Porgy and Bess (1984)Toward a Reevaluation of Gers…The Web of Culture: A Context for Musicology (1984)The Web of Culture: A Context…The Postmodern Condition: A Report on Knowledge (1984)The Postmodern Condition: A R…Miles Davis and "My Funny Valentine": The Evolution of a Solo (1983)Miles Davis and "My Funny Val…The Long Revolution (1961)The Long RevolutionTHE STRUCTURE OF SCIENTIFIC REVOLUTIONS (1963)The Interpretation of Cultures (1974)Culture and musical hermeneutics: The Salome complex (1990)Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music (2000)“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65 (2012)The Interpretation of Cultures (2017)Playing in the Dark: Whiteness and the Literary Imagination. (1993)"Never Gonna Be a Man/ Catch Me if You Can/ I Won't Grow Up": A Lesbian Account of Mary Martin as Peter Pan (1997)The Changing Racial and Ethnic Composition of the US Population: Emerging American Identities (2009)‘Why We Build the Wall’: Hegemony, memory and current events in Hadestown (2022)Introduction to the Sociology of Music. (1977)Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture (1987)Feminine Endings: Music, Gender, and Sexuality (1992)Female Heroes and Moonish Lovers: Women's Paradoxical Identities in Modern Chinese Songs (1997)A New Approach: The Feminist Musicology Studies of Susan McClary and Marcia J. Citron (2014)The Rise and Fall, and the Rise (Again) of Feminist Research in Music: ‘What Goes Around Comes Around’ (2017)THE INVERSE CARE LAW (1971)Changing Highbrow Taste: From Snob to Omnivore (1996)Discourse: A Critical Introduction. (2008)Narrative configuration in qualitative analysis (1995)The teacher's soul and the terrors of performativity (2003)Autoethnography: An Overview (2010)Saying What You Don't Mean (2004)Masculinities, Performativity, and Subversion (2005)Coercion Versus Care: Using Irony to Make Sense of Organizational Surveillance (2006)Whatever Happened to Organizational Anthropology? A Review of the Field of Organizational Ethnography and Anthropological Studies (1997)The Tyranny of Transparency (2000)Logics of interdisciplinarity (2008)Territoriality and beyond: problematizing modernity in international relations (1993)After Ant: Complexity, Naming and Topology (1999)Reframing Public Policy (2003)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Theorizing Musical Meaning (2001)From lyric to anti-lyric: analyzing the words in pop song (2003)Belonging and detachment (2002)Vernacular culture and the place of folk music (2005)John Cage in Separate Togetherness with Jazz (2012)
this work references cited by second hop

References

  • 1984The Postmodern Condition: A Report on Knowledge15,070 cited
  • 1992Postmodernism, or, The Cultural Logic of Late Capitalism6,961 cited
  • 1961The Long Revolution3,221 cited
  • 2003Irony's Edge283 cited
  • 1995Classical Music and Postmodern Knowledge269 cited
  • 1995Rationalizing CultureIRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde259 cited
  • 2001Western Music and Its Others127 cited
  • 1984The Web of Culture: A Context for Musicology56 cited
  • 1993Reshaping a Discipline: Musicology and Feminism in the 1990s44 cited
  • 1995Show Boat: The Revival, the Racism32 cited
  • 1993Charles Ives and Gender Ideology18 cited
  • 1999Postmodernist Jazz Theory: Afrocentrism, Old and New17 cited
  • 1983Miles Davis and "My Funny Valentine": The Evolution of a Solo15 cited
  • 1994From Catfish Row to Granby Street: contesting meaning in Porgy and Bess12 cited
  • 1984Toward a Reevaluation of Gershwin's Porgy and Bess11 cited
  • 1994A View from the Piano Bench or Playing John Zorn's Carny for Fun and Profit6 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.