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Embodying Difference
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Embodying Difference (1997)Embodying DifferenceVodou and nationalism: The staging of folklore in mid‐twentieth century Haiti (1995)Vodou and nationalism: The st…Dancing the Orient for England: Maud Allan's "The Vision of Salome" (1994)Dancing the Orient for Englan…Embodying Difference: Issues in Dance and Cultural Studies (1993)Embodying Difference: Issues …Dance Ethnography and the Limits of Representation (1992)Dance Ethnography and the Lim…Dance Narratives and Fantasies of Achievement (1991)Dance Narratives and Fantasie…Classical ballet: A discourse of difference (1987)Classical ballet: A discourse…How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack (2018)How the Waltz was Won: Transm…Sets, Costumes, Lights, and Spectacle (2012)Sets, Costumes, Lights, and S…Performance, Authenticity, and the Reflexive Idealism of the American Musical (2012)Performance, Authenticity, an…Orchestration and Arrangement: Creating the Broadway Sound (2012)Orchestration and Arrangement…Knowing Your Audience (2012)Knowing Your AudienceEvolution of Dance in the Golden Age of the American “Book Musical” (2012)Evolution of Dance in the Gol…Class and Culture (2012)Class and CultureAudiences and Critics (2012)Audiences and CriticsAfter the “Golden Age” (2012)After the “Golden Age”The Black Jacobins. Toussaint L'Ouverture and the San Domingo Revolution. (1940)The Nation and Its Fragments (1994)The nation and its fragments: Colonial and postcolonial histories (1994)Dance Ethnography and the Limits of Representation (1997)Dancing Bodies (1997)Some Thoughts on Choreographing History (1997)Kinesics and context (1970)Visual Pleasure and Narrative Cinema (1975)Art after Modernism: Rethinking Representation (1991)Cultural Studies and Dance History (1997)‘I Write Like a Painter’: Feminine Creation with Arts‐Based Methods in Organizational Research (2014)Against Interpretation and Other Essays (1966)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)Critical terms for literary study (1989)Outline of a Theory of Practice. (1980)The Woman in the Body: A Cultural Analysis of Reproduction (1988)Staging tourism (2000)Skype as a Tool for Qualitative Research Interviews (2016)3. Of Mimicry and Man: The Ambivalence of Colonial Discourse (2019)National Identity, Popular Culture and Everyday Life (2020)Gay New York: gender, urban culture, and the making of the gay male world, 1890-1940 (1994)Recycled culture: the significance of intertextuality in twenty-first century musical theatre (2017)Audible traces : gender, identity, and music (1999)‘You cannot shake that shimmie here’: producing mobility on the dance floor (2005)Ballroom, boogie, shimmy sham, shake: a social and popular dance reader (2009)Who is the ‘girly’ girl? Tomboys, hyper-femininity and gender (2013)Choosing the Best House in a Bad Neighborhood: Location Strategies of Human Rights INGOs in the Non-Western World (2014)VODOU, NATIONALISM, AND PERFORMANCE: (1997)Choreographing Asian America (2011)
this work references cited by second hop

References

  • 1993Embodying Difference: Issues in Dance and Cultural Studies220 cited
  • 1987Classical ballet: A discourse of difference60 cited
  • 1994Dancing the Orient for England: Maud Allan's "The Vision of Salome"48 cited
  • 1995Vodou and nationalism: The staging of folklore in mid‐twentieth century Haiti42 cited
  • 1991Dance Narratives and Fantasies of Achievement38 cited
  • 1992Dance Ethnography and the Limits of Representation30 cited

Cited by

  • 2012Audiences and Critics19 cited
  • 2012Knowing Your Audience16 cited
  • 2018How the Waltz was Won: Transmutations and the Acquisition of Style in Early English Modern Ballroom Dancing. Part One: Waltzing Under Attack14 cited
  • 2012After the “Golden Age”10 cited
  • 2012Evolution of Dance in the Golden Age of the American “Book Musical”6 cited
  • 2012Class and Culture5 cited
  • 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited
  • 2012Sets, Costumes, Lights, and Spectacle4 cited
  • 2012Orchestration and Arrangement: Creating the Broadway Sound3 cited

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