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Soda Goes Pop
7 references·1 citing·32 second hop
Soda Goes Pop (2019)Soda Goes PopPromotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity” (2011)Promotional Ubiquitous Musics…Sonic Branding (2003)Sonic BrandingLook! Hear! The uneasy relationship of music and television (2002)Look! Hear! The uneasy relati…‘When orff meets guinness’: music in advertising as a form of cultural hybrid (2001)‘When orff meets guinness’: m…Communicative democracy in a redactional society: the future of journalism studies (2000)Communicative democracy in a …The Conquest of Cool (1997)The Conquest of CoolMusic in Advertising: An Analytic Paradigm (1989)Music in Advertising: An Anal…Amplifying Value: Labor, Technology, and Creativity in the Jingle Industry (2024)Amplifying Value: Labor, Tech…Changing Highbrow Taste: From Snob to Omnivore (1996)Why Do Brands Cause Trouble? A Dialectical Theory of Consumer Culture and Branding (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry (2012)Brand value: how affective labour helps create brands (2013)Control, curation and musical experience in streaming music services (2015)Postmodernism, or, The cultural logic of late capitalism (1991)Subculture: The Meaning of Style (1995)Music in Everyday Life (2000)Music as cognition (2003)The Bonding of a Band and a Brand: On Music Placement in Television Commercials from a Text Analytical Perspective (2013)Classical Music in Television Commercials: A Social-Psychological Perspective (2017)The Gutenberg Galaxy (1997)The Third Way: The Renewal of Social Democracy (1999)The Third Way: The Renewal of Social Democracy (1999)Freedom of the Press (2002)Fifteen Minutes of Privacy: Privacy, Sociality, and Publicity on Social Network Sites (2011)Democracy and Media Decadence (2013)The conquest of cool: business culture, counterculture, and the rise of hip consumerism (1998)THEORIZING CHANGE: THE ROLE OF PROFESSIONAL ASSOCIATIONS IN THE TRANSFORMATION OF INSTITUTIONALIZED FIELDS. (2002)In the Social Factory? (2008)Musicians on Television: Visible, Audible and Ignored (2006)Imperfect sound forever: loudness wars, listening formations and the history of sound reproduction (2013)The Globalization of Popular Music, 1960-2010: A Multilevel Analysis of Music Flows (2016)The End of Diegesis As We Know It? (2013)Drawing listener attention in popular music: Testing five musical features arising from the theory of attention economy (2017)Sound arguments (2017)Sensory expectations elicited by the sounds of opening the packaging and pouring a beverage (2015)Sonic branding: A consumer-oriented literature review (2015)Brands (2005)The Glocalization of Youth Culture: The Global Youth Segment as Structures of Common Difference (2006)Creative cities: the cultural industries and the creative class (2008)
this work references cited by second hop

References

  • 1997The Conquest of Cool852 cited
  • 1989Music in Advertising: An Analytic Paradigm117 cited
  • 2000Communicative democracy in a redactional society: the future of journalism studies101 cited
  • 2002Look! Hear! The uneasy relationship of music and television76 cited
  • 2011Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity”73 cited
  • 2003Sonic Branding62 cited
  • 2001‘When orff meets guinness’: music in advertising as a form of cultural hybrid22 cited

Cited by

  • 2024Amplifying Value: Labor, Technology, and Creativity in the Jingle Industry9 cited

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