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Painting Culture
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  • 2014Ontological anthropology and the deferral of critique542 cited
  • 2010The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production299 cited
  • 2004Inscribing the Body228 cited
  • 2010THE DOUBLE BIND OF AMERICAN INDIAN NEED-BASED SOVEREIGNTY178 cited
  • 2006World Heritage and Cultural Economics173 cited
  • 2014Producing Authenticity in Global Capitalism: Language, Materiality, and Value141 cited
  • 2005Gone Digital: Aboriginal Remix and the Cultural Commons127 cited
  • 2014Secrecy120 cited
  • 2013Indigenous Diaspora and the Prospects for Cosmopolitan ‘Orbiting’: The Warlpiri Case109 cited
  • 2004Ontologies of the image and economies of exchange108 cited
  • 2010Guest Editorial—Creative Geographies: tales from the ‘margins’98 cited
  • 2017Qualia as Value and Knowledge: Histories of European Porcelain97 cited
  • 2006A History of Aboriginal Futures93 cited
  • 2009The Politics of Global Information Sharing: Whose Cultural Agendas Are Being Advanced?87 cited
  • 2011Rhetorics of Value: Constituting Worth and Meaning through Cultural Display

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69 cited
  • 2017Rock Art and Ontology65 cited