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Screens
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Screens (2010)ScreensTacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film (2023)Tacita Dean’s Affective Inter…We Live Here: Media Architecture as Critical Spatial Practice (2019)We Live Here: Media Architect…Between the Art Canon and the Margins: Historicizing Technology-Reliant Art via Curatorial Practice (2019)Between the Art Canon and the…4. Sensing Screens: From Surface to Situation (2019)4. Sensing Screens: From Surf…Immediation (2018)ImmediationCurating Lights and Shadows, or the Remapping of the Lived Experience of Space (2015)Curating Lights and Shadows, …Organising complexities: the potential of multi-screen video-installations for ethnographic practice and representation (2013)Organising complexities: the …Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Modernity at Large: Cultural Dimensions of Globalization. (1998)The New Mobilities Paradigm (2006)Art and Objecthood: Essays and Reviews (1998)Art and objecthood: essays and reviews (1998)Relational aesthetics (2011)Festivales de luz y eventos de luz en Portugal. Entre cultura y promoción turística del territorio. (2019)Artificial hells: participatory art and the politics of spectatorship (2013)Lively Infrastructure (2014)Tactical Urbanism (2015)Virtual Art (2002)Thinking About Exhibitions (2005)Screens: viewing media installation art (2010)Quoting Caravaggio: Contemporary Art, Preposterous History (1999)Wondrous Difference: Cinema, Anthropology, and Turn-Of-The-Century Visual Culture (2001)Shivers down your spine: cinema, museums, and the immersive view (2009)Discipline and Punish: The Birth of the Prison (1978)Science in Action: How to Follow Scientists and Engineers through Society (1988)The consequences of modernity (1990)The Autonomy of Affect (1995)The Affect Theory Reader (2010)The Deleuze Dictionary Revised Edition (2010)
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Cited by

  • 2019We Live Here: Media Architecture as Critical Spatial Practice9 cited
  • 2023Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film6 cited
  • 2015Curating Lights and Shadows, or the Remapping of the Lived Experience of Space6 cited
  • 2018Immediation5 cited
  • 2013Organising complexities: the potential of multi-screen video-installations for ethnographic practice and representation5 cited
  • 2019Between the Art Canon and the Margins: Historicizing Technology-Reliant Art via Curatorial Practice5 cited
  • 20194. Sensing Screens: From Surface to Situation3 cited

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