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Chinese Danmei Fandom and Cultural Globalization from Below
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Cited by

  • 2021“Little Fresh Meat”: The Politics of Sissiness and Sissyphobia in Contemporary China102 cited
  • 2020It has never been “normal”: queer pop in post-2000 China49 cited
  • 2020Translational and transnational queer fandom in China: the fansubbing of Carol48 cited
  • 2022Dual ambivalence: The Untamed Girls as a counterpublic42 cited
  • 2020Towards a queer affective economy of boys’ love in contemporary Chinese media37 cited
  • 2023Shipping on the edge: Negotiations of precariousness in a Chinese real-person shipping fandom community17 cited
  • 2021Editorial introduction: androgynous bodies and cultures in Asia15 cited
  • 2023Gendered fandom in transcultural context- female-dominated paratexts and compromised fan culture11 cited
  • 2022Fiction and reality entangled: Chinese ‘coupling’ (CP) fans pairing male celebrities forpleasure, comfort, andresponsibility7 cited
  • 2024Masculinities in Chinese boys’ love stories: female imaginations, market forces and state influence7 cited
  • 2021Contemporary Danmei Fiction and Its Similitudes with Classical and Yanqing Literature6 cited
  • 2025Dual Exploitation and the Long Tail Effect: The Affective Labor of Chinese Real Person Slash Fan Production5 cited
  • 2022Bromance as a Masquerade: Adaptation and Reception of Chinese Danmei Fantasy4 cited

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  • 2023Carnivalesque communities: Thai TV dramas and the Chinese censorship4 cited
  • 2024Underwater carnival: explaining how Thai boys’ love drama series “sneak” into Chinese media cyberspace4 cited
  • 2023Reimagining Affection in a Changing Shanghai1 cited