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Despite its centuries-long tradition of literary and artistic depictions of love between men, around the fin-de siècle Japanese culture began to portray same-sex desire as immoral. This textlooks at the response to this mindset during the critical era of cultural ferment between the two world wars as a number of Japanese writers challenged the idea of love and desire between men as pathological. This book focuses on key writers, examining how they experimented with new language, genres, and ideas to find fresh ways to represent love and desire between men. It traces the personal and literary relationships between contemporaries such as the poet Murayama Kaita, the mystery writers Edogawa Ranpo and Hamao Shir, the anthropologist Iwata Jun’ichi, and the avant-garde innovator Inagaki Taruho. The book shows how these authors interjected the subject of male—male desire into discussions of modern art, aesthetics, and perversity. It also explores the impact of their efforts on contemporary Japanese culture, including the development of the tropes of male homoeroticism that recur so often in Japanese girls’ manga about bishōnen love.
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