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Cited by

• 2007The Concealed Art of the Soul148 cited
• 2006Aśvaghoṣa’s Buddhacarita: The First Known Close and Critical Reading of the Brahmanical Sanskrit Epics66 cited
• 2016Paradigm Lost: The Application of the Historical-Critical Method to the Bhagavad Gītā37 cited
• 2020Scale, Space and Canon in Ancient Literary Culture22 cited
• 2018Text Segmentation, Chapter Naming and the Transmission of Embedded Texts in South Asia, with Special Reference to the Medical and Philosophical Traditions as Exemplified by the Carakasaṃhitā and the Nyāyasūtra19 cited
• 2006Ekalavya and Mahābhārata 1.121–2815 cited
• 2001The Interrupted Sacrifice and the Sanskrit Epics13 cited
• 2007THE SOCIAL CONSTRUCTION OF EMOTIONS IN THEBHAGAVAD GĪTĀ10 cited
• 2008What Enables Canonical Literature to Function as “True”? The Case of the Hindu Purāṇas10 cited
• 2011Brahmā: An Early and Ultimately Doomed Attempt at a Brahmanical Synthesis10 cited
• 2019Ritual, Self and Yoga: On the Ways and Goals of Salvation in the Kaṭha Upaniṣad9 cited
• 2006Transforming Tradition into Texts: The Early Development of smṛti9 cited
• 2016Who’s Zoomin’ Who? Bhagavadgītā Recensions in India and Germany6 cited
• 2011Reinventing Orthopraxy and Practicing Worldly Dharma: Vasu and Aśoka in Book 14 of the Mahābhārata