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This chapter examines the performances of Miss Ketty Teanga, a Chicago-based trans-Latina drag queen, and argues they were an example of Latina/o queer worldmaking. Miss Ketty’s performances evoked history through her fashion, hair, makeup, and musical taste in order to present alternative patterns of cultural consumption to her young fans. In contrast to mainstream drag culture and popular media’s pop-oriented, fast-paced choreography, her performances evoked a queer past by drawing on slow, dramatic presentations of boleros that emphasized upper-body choreography.
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