SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Medieval Autographies
0 references·11 citing·34 second hop
Medieval Autographies (2012)Medieval AutographiesWeeping Like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory (2019)Weeping Like a Beaten Child: …The Byzantine Hellene (2019)The Byzantine HelleneMedieval Affect, Feeling, and Emotion (2019)Medieval Affect, Feeling, and…Literary Value and Social Identity in the Canterbury Tales (2019)Literary Value and Social Ide…Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in theWife of Bath’s Prologue and Tale (2019)Becoming One Flesh, Inhabitin…Accounting for Affect in theReeve’s Tale (2019)Accounting for Affect in theR…Song in Reverse: The Medieval Prosimetrum and Lyric Theory (2018)Song in Reverse: The Medieval…Of Poets and Prologues (2018)Of Poets and Prologues‘Why þat yee meeued been / can I nat knowe’: Autobiography, Convention, and Discerning Doublenesse in Thomas Hoccleve’s The Series (2017)‘Why þat yee meeued been / ca…Introduction: The range, limits, and potentials of the form (2016)Introduction: The range, limi…Medieval European Autobiography (2014)Medieval European Autobiograp…The Law of Genre (1980)Origins of the individualist self: autobiography and self-identity in England, 1591-1791 (1997)Self Impression (2010)Receiving Early Modern Women’s Drama (2022)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)Le pacte autobiographique (1977)The forms of autobiography: Episodes in the history of a literary genre (1980)Medieval Autographies: The “I” of the Text (2014)Narrative Discourse: An Essay in Method (1980)Renaissance Self-Fashioning from More to Shakespeare (1981)Renaissance Self-Fashioning from More to Shakespeare (1982)European Literature and the Latin Middle Ages (1956)The Riverside Chaucer (1986)Theory of the Lyric (2015)Afterword: The Song Pact – How the Novel Sings (2024)Song in the Novel (2024)Chaucer and Medieval Estates Satire (1973)Footing (1979)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Reassembling the Social (2005)The Cultural Politics of Emotion (2014)Vibrant Matter (2010)Discipline and Punish: The Birth of the Prison. (1978)Distinction: A Social Critique of the Judgement of Taste* (2018)The Afterlife of St Cuthbert (2020)The Ritual Lament in Greek Tradition (1975)Nations and Nationalism since 1780 (1992)The history of the decline and fall of the Roman Empire (2019)Manuel II Palaiologos (1350–1425) (2021)DIAGRAM REASONING AND PARACONSISTENT THINKING: HIEROMONK HIEROTHEOS, HIS ANCESTRY, AND LEGACY (2023)Homo Sacer (2020)Paper in Medieval England (2020)Middle English Medical Recipes and Literary Play, 1375-1500 (2022)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2019Medieval Affect, Feeling, and Emotion72 cited
  • 2016Introduction: The range, limits, and potentials of the form56 cited
  • 2019The Byzantine Hellene46 cited
  • 2019Literary Value and Social Identity in the Canterbury Tales25 cited
  • 2018Song in Reverse: The Medieval Prosimetrum and Lyric Theory16 cited
  • 2019Becoming One Flesh, Inhabiting Two Genders: Ugly Feelings and Blocked Emotion in theWife of Bath’s Prologue and Tale9 cited
  • 2014Medieval European Autobiography6 cited
  • 2019Weeping Like a Beaten Child: Figurative Language and the Emotions in Chaucer and Malory5 cited
  • 2017‘Why þat yee meeued been / can I nat knowe’: Autobiography, Convention, and Discerning Doublenesse in Thomas Hoccleve’s The Series2 cited
  • 2018Of Poets and Prologues2 cited
  • 2019Accounting for Affect in theReeve’s Tale2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work