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Allgemeine Musiklehre
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  • 2012On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)29 cited
  • 2012Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music24 cited
  • 2023Vibrato und Portamento22 cited
  • 2012Riemannian Analytical Values, Paleo- and Neo-21 cited
  • 2012Harmonic Dualism as Historical and Structural Imperative16 cited
  • 2012What is a Function?16 cited
  • 2012Criteria for Analysis15 cited
  • 2023Sound Design14 cited
  • 2012Three Short Essays on Neo-Riemannian Theory10 cited
  • 2012The Reception of Hugo Riemann's Music Theory9 cited
  • 2010On the History of the Term “Ethnomusicology”7 cited
  • 2012Tonal Pitch Space and the (neo-)Riemannian Tonnetz7 cited
  • 1961"Secco" Recitative in Early Classical Opera Seria (1720-80)5 cited
  • 2012From Matrix to Map3 cited
  • 2012The Problem of Harmonic Dualism2 cited

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