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Vodou Imagery, African American Tradition, and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God
10 references·0 citing·28 second hop
Vodou Imagery, African American Tradition, and Cultural Transformation in Zora Neale Hurston’s Their Eyes Were Watching God (2018)Vodou Imagery, African American Tradition…Their Eyes Were Watching God (1937) (2001)Their Eyes Were Watching God …The Hammers of Creation: Folk Culture in Modern African-American Fiction (1995)The Hammers of Creation: Folk…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Vested Interests: Cross-Dress…The Faces of the Gods: Vodou and Roman Catholicism in Haiti (1993)The Faces of the Gods: Vodou …Fiction and folklore: the novels of Toni Morrison (1992)Fiction and folklore: the nov…The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston (1991)The Politics of Fiction, Anth…Power, Judgment, and Narrative in a Work of Zora Neale Hurston: Feminist Cultural Studies (1991)Power, Judgment, and Narrativ…The Character of the Word: The Texts of Zora Neale Hurston. (1988)The Character of the Word: Th…Flash of the Spirit: African and Afro-American Art and Philosophy (1983)Flash of the Spirit: African …Remembering the sacred tree: Black women, nature and Voodoo in Zora Neale Hurston'sTell My HorseandTheir Eyes Were Watching God (1996)The Unbearable Weight of Authenticity: Zora Neale Hurston's Their Eyes Were Watching God and a Theory of "Touristic Reading" (2004)The Passion of Franz Boas (2001)Black Venus, Blonde Venus (2006)The Politics of Black Joy (2021)Cross-Cultural Visions in African American Modernism: From Spatial Narrative to Jazz Haiku (2006)The Gender of Diaspora in Toni Morrison's Tar Baby (2006)Folklore and Literature (2012)Cooper and the idea of the Indian (2011)Hawthorne and the aesthetics of American romance (2011)The worlding of the American novel (2011)Herskovits's Heritage: Rethinking Syncretism in the African Diaspora (1991)GLOBALISATION AS HYBRIDISATION (1994)Communalism (1997)The Sisters of the Holy Family and the Veil of Race (2000)Ritual Piracy or Creolization with an Attitude (2008)A Dog's Life: Suffering Humanitarianism in Port‐au‐Prince, Haiti (2017)A Medley of Voices: Zora Neale Hurston’s Their Eyes Were Watching God (1990)The Cambridge Introduction to Zora Neale Hurston (2008)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Must Identity Movements Self-Destruct? A Queer Dilemma (1995)Identity Construction: New Issues, New Directions (1997)Gender, Habitus and the Field (1999)You Have to Show Strength (2007)“Ain’t I a Woman?”: Towards an Intersectional Approach to Person Perception and Group-based Harms (2008)The Cambridge History of African American Literature (2011)
this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1993Vested Interests: Cross-Dressing and Cultural Anxiety1,816 cited
  • 1983Flash of the Spirit: African and Afro-American Art and Philosophy390 cited
  • 2001Their Eyes Were Watching God (1937)186 cited
  • 1991The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston180 cited
  • 1992Fiction and folklore: the novels of Toni Morrison109 cited
  • 1995The Hammers of Creation: Folk Culture in Modern African-American Fiction82 cited
  • 1988The Character of the Word: The Texts of Zora Neale Hurston.64 cited
  • 1993The Faces of the Gods: Vodou and Roman Catholicism in Haiti43 cited
  • 1991Power, Judgment, and Narrative in a Work of Zora Neale Hurston: Feminist Cultural Studies27 cited

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