SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Museum as a collector of vernacular born-digital photographs: a case study of the family camera network collection at the Royal Ontario Museum.
15 references·0 citing·32 second hop
The Museum as a collector of vernacular born-digital photographs: a case study of the family camera network collection at the Royal Ontario Museum. (2021)The Museum as a collector of vernacular b…Snapshot photography: the lives of images (2014)Snapshot photography: the liv…Digital Preservation for Libraries, Archives and Museums (2014)Digital Preservation for Libr…Ubiquitous Photography (2013)Ubiquitous PhotographyNew media and vernacular photography: revisiting Flickr (2013)New media and vernacular phot…Refracted Visions: Popular Photography and National Modernity in Java (2010)Refracted Visions: Popular Ph…Doing Family Photography: The Domestic, The Public and The Politics of Sentiment (2010)Doing Family Photography: The…Digital cameras and domestic photography: communication, agency and structure (2009)Digital cameras and domestic …Digital photography: communication, identity, memory (2008)Digital photography: communic…Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics (2008)Digital Images, Photo-Sharing…Forget Me Not: Photography & Remembrance (2004)Forget Me Not: Photography & …A Guide to the Preventive Conservation of Photograph Collections (2003)A Guide to the Preventive Con…Vernacular photographies (2000)Vernacular photographiesOther Pictures: Anonymous Photographs from the Thomas Walther Collection (2000)Other Pictures: Anonymous Pho…Snapshots: The Photography of Everyday Life, 1888 to the Present (1998)Snapshots: The Photography of…The reconfigured eye: visual truth in the post-photographic era (1993)The reconfigured eye: visual …Photography: a middle-brow art (1991)Change Mummified: Cinema, Historicity, Theory (2001)The Language of New Media (2002)Flickr and the culture of connectivity: Sharing views, experiences, memories (2010)The Quadruple Object (2011)Creation and Control in the Photographic Process: iPhones and the emerging fifth moment of photography (2012)Snapshot Versions of Life (2008)Extended Self in a Digital World: Table 1. (2013)Follow me and like my beautiful selfies: Singapore teenage girls’ engagement in self-presentation and peer comparison on social media (2015)Instafame: Luxury Selfies in the Attention Economy (2015)‘Everyone's cuddled up and it just looks really nice’: an emotional geography of some mums and their family photos (2004)A world history of photography (2008)Posing in Prison: Family Photographs, Emotional Labor, and Carceral Intimacy (2015)In Visible Presence (2023)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)The Modern Day Baby Book (2015)Cultural geography II: The force of representations (2018)College student Web use, perceptions of information credibility, and verification behavior (2003)A LIFE MORE PHOTOGRAPHIC (2008)The Cultural Logic of Photo-Based Meme Genres (2014)Colour measurement of acid-detector strips for the quantification of volatile organic acids in storage conditions (2016)The effect of disinfection methods on the stability of photographic gelatin (2016)Novel markers to early detect degradation on cellulose nitrate-based heritage at the submicrometer level using synchrotron UV–VIS multispectral luminescence (2021)The Lost of Found Photography (2015)The selfie and the transformation of the public–private distinction (2016)The Perception Machine (2023)The Polaroid Image as Photo-Object (2010)The Cultural Politics of Aspiration: Family Photography’s Mixed Feelings (2018)From Spaceship Earth to Google Ocean: Planetary Icons, Indexes, and Infrastructures (2011)Anthropology and Photography: A long history of knowledge and affect (2015)#selfie: digital self-portraits as commodity form and consumption practice (2015)“The Family Camera Network” (2017)
this work references cited by second hop

References

  • 2008Digital photography: communication, identity, memory511 cited
  • 1993The reconfigured eye: visual truth in the post-photographic era409 cited
  • 2010Doing Family Photography: The Domestic, The Public and The Politics of Sentiment254 cited
  • 2008Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics223 cited
  • 2010Refracted Visions: Popular Photography and National Modernity in Java179 cited
  • 2013Ubiquitous Photography118 cited
  • 2003A Guide to the Preventive Conservation of Photograph Collections111 cited
  • 2014Snapshot photography: the lives of images85 cited
  • 2000Vernacular photographies83 cited
  • 2004Forget Me Not: Photography & Remembrance73 cited
  • 1998Snapshots: The Photography of Everyday Life, 1888 to the Present64 cited
  • 2009Digital cameras and domestic photography: communication, agency and structure42 cited
  • 2013New media and vernacular photography: revisiting Flickr24 cited
  • 2014Digital Preservation for Libraries, Archives and Museums23 cited
  • 2000Other Pictures: Anonymous Photographs from the Thomas Walther Collection8 cited

Cited by

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

No citing works inside the corpus for this window.