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Cited by

• 2000Phonology and Morphology70 cited
• 2000SYNTAX58 cited
• 2000LITERARY LANGUAGE23 cited
• 1991Writing Women and Reading the Renaissance14 cited
• 2001“Written on My Tainted Brow”: Woman and the Exegetical Tradition inThe Tragedy of Mariam13 cited
• 2009Anne Lock's Poetics of Spiritual Abjection9 cited
• 1996“Witnesse Thy Wife (O Pilate) Speakes for All”: Aemilia Lanyer's Strategic Self-Positioning6 cited
• 2008Women's Poetry 1550-1700: ‘Not Unfit to be Read’6 cited
• 2003The Sage Felicia and the Grave Melissea:Diana of George of Montemayor, An Inspiration for Wroth's Defense of Women inUrania5 cited
• 2019Early modern receptions of Iphigenia at Aulis4 cited
• 2018“Tell thou my lord thou saw’st me lose my breath”: Silence, speech, and authorial identity in Cary’sThe Tragedy of Mariam3 cited
• 1999Contextualizing Mary Sidney's Psalms3 cited
• 2018Memory and memorialization in the Psalmes of Mary Sidney, Countess of Pembroke2 cited