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Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman
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Ecstasy and the demon: feminism and nationalism in the dances of Mary Wigman (1994)Ecstasy and the demon: feminism and natio…Martha Graham's Cold War (2020)Martha Graham's Cold WarPerforming Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–1962 (2017)Performing Bandung: China’s d…Wigman's Witches: Reformism, Orientalism, Nazism (2016)Wigman's Witches: Reformism, …Éditorial : Danse(s) et politique(s), un état des lieux (2015)Éditorial : Danse(s) et polit…Dance teachers: a review of a profession in transition (2012)Dance teachers: a review of a…The Human Situation on Stage: Merce Cunningham, Theodor Adorno, and the Category of Expression (2010)The Human Situation on Stage:…Against Expectations: Trisha Brown and the Avant-Garde (2005)Against Expectations: Trisha …Uniform Bodies: Mass Movement and Modern Totalitarianism (2002)Uniform Bodies: Mass Movement…IV. The Critical Burden of History (2000)IV. The Critical Burden of Hi…A Warm-up (1999)A Warm-upDancers, Workers and Bees in the Choreography of Doris Humphrey (1996)Dancers, Workers and Bees in …Bodies of the Text: Dance as Theory, Literature as Dance edited by Ellen W. Goellner and Jacqueline Shea Murphy. New Brunswick, NJ: Rutgers University Press, 1995. xviii + 266 pp., introduction, notes, photographs, index.$48.00 clothbound; $20.00 paperbound. (1996)Bodies of the Text: Dance as …On the light fantastic toe: Dance scholarship and academic fashion (1995)On the light fantastic toe: D…Truth and Method (1977)Those Who Understand: Knowledge Growth in Teaching (1986)Social Closure: The Theory of Monopolization and Exclusion. (1989)Diaghilev's Ballets Russes (1990)Diaghilev's Ballets Russes, byLynn Garafola. New York, Oxford: Oxford University Press, 1989. xviii + 524 pp., illustrations. $29.95. (1990)Dance as Text: Ideologies of the Baroque Body (1993)Dialogue: Dance History—Current Methodologies (1996)The “congealed residues” of dance history: A response to Richard Ralph's “dance scholarship and academic fashion”—One path to a pre‐determined enlightenment? (1997)The expression of the emotions in man and animals. (1872)Phenomenology of Perception (1982)The Body in the Mind (1987)GhostcatchingandAfter Ghostcatching, Dances in the Dark (2015)After live: possibility, potentiality, and the future of performance (2016)The feeling of what happens: body and emotion in the making of consciousness (2000)The Feeling of What Happens: Body and Emotion in the Making of Consciousness (2000)Democracy and Education (2015)Ecstasy and the Demon: Feminism and Nationalism in the Dances of Mary Wigman (1994)After the Great Divide (1986)5. The Practice of Everyday Life (2000)THE PRACTICE OF EVERYDAY LIFE (2018)Reactionary Modernism: Technology, Culture, and Politics in Weimar and the Third Reich (1985)Reactionary Modernism. Technology, Culture and Politics in Weimar and the Third Reich (1986)German orientalism in the age of empire: religion, race, and scholarship (2010)Dance Seen and Dance‐Screened (2019)Reading Irigaray, Dancing (2000)One Hundred Years of Solitude (2001)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Varieties of habitus and the embodiment of ballet (2006)Postcolonialism: An Historical Introduction (2003)The Darker Nations: A People's History of the Third World (2007)Making a World after Empire: The Bandung Moment and Its Political Afterlives (2010)Three Eras of Indonesian Arts Diplomacy (2019)“Yo amo a China”: la experiencia de una mujer en la China de los sesenta, Los ojos de bambú (1964), de Mercedes Valdivieso (2020)When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s (2020)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Culture and imperialism (1993)Soft Power: The Means to Success in World Politics (2004)New Sources and New Perspectives for Dance Research: Extending Archival Horizons (2025)
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  • 1996Dancers, Workers and Bees in the Choreography of Doris Humphrey66 cited
  • 2017Performing Bandung: China’s dance diplomacy with India, Indonesia, and Burma, 1953–196248 cited
  • 2010The Human Situation on Stage: Merce Cunningham, Theodor Adorno, and the Category of Expression30 cited
  • 1996Bodies of the Text: Dance as Theory, Literature as Dance edited by Ellen W. Goellner and Jacqueline Shea Murphy. New Brunswick, NJ: Rutgers University Press, 1995. xviii + 266 pp., introduction, notes, photographs, index.$48.00 clothbound; $20.00 paperbound.30 cited
  • 2020Martha Graham's Cold War14 cited
  • 1995On the light fantastic toe: Dance scholarship and academic fashion11 cited
  • 2016Wigman's Witches: Reformism, Orientalism, Nazism7 cited
  • 2012Dance teachers: a review of a profession in transition6 cited
  • 2005Against Expectations: Trisha Brown and the Avant-Garde5 cited
  • 2002Uniform Bodies: Mass Movement and Modern Totalitarianism5 cited
  • 2015Éditorial : Danse(s) et politique(s), un état des lieux5 cited
  • 1999A Warm-up4 cited
  • 2000IV. The Critical Burden of History4 cited

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