Pindaric Accompaniments

W. B. Henry

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Classical Antiquity Studies Musicology and Musical Analysis Classical Studies and Philology

Abstract

Abstract The performance of Pindar's epinician odes has been much discussed of late, in particular the question whether the odes were composed for a vocal soloist or for a choir. But the instrumental accompaniments have received comparatively little attention. This chapter considers the evidence to be found in the texts of the odes themselves concerning the instruments used. It suggests that a metrical observation may enable us to make some progress.

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1982Orality and Literacy 1987The Fragility of Goodness: Luck and Ethics in Greek Tragedy and Philosophy 1990Inventing the barbarian: Greek self-definition through tragedy 1975Greek Popular Morality in the Time of Plato and Aristotle 1975The Ritual Lament in Greek Tradition 2005Tradition and Innovation in Hellenistic Poetry 1996Callimachus and his critics 1974Studies in Greek Elegy and Iambus

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