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Saint-Saëns and the Stage
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Saint-Saëns and the Stage (2019)Saint-Saëns and the StageSaint-Saëns and Silent Film / Sound Film and Saint-Saëns (2012)Saint-Saëns and Silent Film /…Rivals and Friends: Saint-Saëns, Massenet, and Thaïs (2012)Rivals and Friends: Saint-Saë…Camille Saint-Saëns and His World (2012)Camille Saint-Saëns and His W…Musical exoticism: images and reflections (2009)Musical exoticism: images and…Composing the CitizenMusic as Public Utility in Third Republic France (2009)Composing the CitizenMusic as…Musical Encounters at the 1889 Paris World's Fair (2005)Musical Encounters at the 188…The Cambridge Companion to Grand Opera (2003)The Cambridge Companion to Gr…The urbanization of opera: music theater in Paris in the nineteenth century (1999)The urbanization of opera: mu…Listening in Paris (1995)Listening in ParisDr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carré (1993)Dr. Mephistopheles: Doctors a…Constructing the Oriental ‘Other’: Saint-Saëns'sSamson et Dalila (1991)Constructing the Oriental ‘Ot…Regards sur mes contemporains (1990)Regards sur mes contemporainsJean-Philippe Rameau: his life and work, (1969)Jean-Philippe Rameau: his lif…Dictionnaire critique de la Musique ancienne et Moderne (1956)Dictionnaire critique de la M…Portraits et souvenirs (1921)Portraits et souvenirsCharles Gounod et le Don Juan de Mozart (1894)Charles Gounod et le Don Juan…The New Grove Dictionary of Music and Musicians (1981)Feminine Endings: Music, Gender, and Sexuality (1992)The writing of exoticism in the libretti of the Opéra-Comique, 1825–1862 (1999)The New Grove dictionary of music and musicians (2001)ON MUSICAL COSMOPOLITANISM (2007)Patrons and Pasquinades: Rameau in the 1730s (1988)Music, Modernity, and God (2013)The Cambridge Companion to French Music (2015)The Cambridge Companion to Opera Studies (2012)Meaning construction in verbomusical environments: Conceptual disintegration and metonymy (2014)The Cambridge Companion to Film Music (2016)Cherubini and the Revolutionary Sublime (2012)Female Singers on the French Stage, 1830–1848 (2018)Writing about Popular Music (2019)The Cambridge History of Music Criticism (2019)Ask the Experts (2020)Performing the (Sound)World (2000)Doing anthropology in sound (2004)Soundscapes: Toward a Sounded Anthropology (2010)The Domestic Diva: Toward an Operatic History of the Telephone (2016)Exposições internacionais: uma abordagem historiográfica a partir da América Latina (2017)Serenading Spanish Students on the Streets of Paris: The International Projection of Estudiantinas in the 1870s (2017)A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine (2011)The Race forRobertand Other Rivalries: Negotiating the Local and (Inter)National in Nineteenth-Century New Orleans (2017)Cosmopolitanism in the Age of Nationalism, 1848–1914 (2013)
this work references cited by second hop

References

  • 1995Listening in Paris628 cited
  • 2009Musical exoticism: images and reflections355 cited
  • 1991Constructing the Oriental ‘Other’: Saint-Saëns'sSamson et Dalila132 cited
  • 2009Composing the CitizenMusic as Public Utility in Third Republic France103 cited
  • 2003The Cambridge Companion to Grand Opera98 cited
  • 1969Jean-Philippe Rameau: his life and work,78 cited
  • 1999The urbanization of opera: music theater in Paris in the nineteenth century72 cited
  • 2005Musical Encounters at the 1889 Paris World's Fair55 cited
  • 1921Portraits et souvenirs30 cited
  • 2012Camille Saint-Saëns and His World28 cited
  • 1993Dr. Mephistopheles: Doctors and Devils in the Librettos of Barbier and Carré23 cited
  • 2012Rivals and Friends: Saint-Saëns, Massenet, and Thaïs23 cited
  • 2012Saint-Saëns and Silent Film / Sound Film and Saint-Saëns23 cited
  • 1956Dictionnaire critique de la Musique ancienne et Moderne22 cited
  • 1894Charles Gounod et le Don Juan de Mozart22 cited
  • 1990Regards sur mes contemporains22 cited

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