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An 'aberration' reviewed: the reconciliation of inconsistent clef-systems in Monteverdi's Mass and Vespers of 1610
0 references·7 citing·10 second hop
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  • 2017The performance of polyphony in early 16th-century Italian convents21 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2012Vocal performance in the Renaissance3 cited

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