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Made in Ireland
9 references·0 citing·28 second hop
Made in Ireland (2020)Made in IrelandIdeology and Ideological State Apparatuses (2024)Ideology and Ideological Stat…The Master’s Tools Will Never Dismantle the Master’s House (2021)The Master’s Tools Will Never…Portrait of the Artist as a Young Man (2013)Portrait of the Artist as a Y…Hip Hop as dusty foot philosophy: Engaging locality (2008)Hip Hop as dusty foot philoso…Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language (2008)Global Linguistic Flows: Hip …Two-Way Mirrors: Cross-Cultural Studies in Glocalization (2005)Two-Way Mirrors: Cross-Cultur…“WE ARE ALL MALCOLM X!”: NEGU GORRIAK, HIP HOP, AND THE BASQUE POLITICAL IMAGINARY (2001)“WE ARE ALL MALCOLM X!”: NEGU…The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s (1996)The Aesthetics of the Global …Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Dangerous Crossroads: Popular…Anthropology as Cultural Critique: An Experimental Moment in the Human Sciences (1987)2. Old And New Identities, Old And New Ethnicities (1991)Riffs, Repetition, and Theories of Globalization (1999)World music: deterritorializing place and identity (2004)Transidiomatic practices: Language and power in the age of globalization (2005)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Subjects of Empire: Indigenous Peoples and the ‘Politics of Recognition’ in Canada (2007)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Political matter : technoscience, democracy, and public life (2010)A Sweet Lullaby for World Music (2000)Youth and Cultural Practice (2002)The Racialization of Space and the Spatialization of Race: Theorizing the Hidden Architecture of Landscape (2007)Teaching with the Flow: Fixity and fluidity in education (2005)Popular Cultures, Popular Languages, and Global Identities (2010)‘The world is yours’: the globalization of hip-hop language (2016)Global Ill-Literacies (2011)Styling the periphery: Linguistic and cultural takeup in Bangladesh and Mongolia (2013)On Hybridity in African Popular Music: The Case of Senegalese Hip Hop (2016)Teaching Queer‐Inclusive English Language Arts (2005)Blake and Joyce (2006)The Cultural Work of Learning Disabilities (2006)Notes for Decolonizing Embodiment (2019)Decolonizing the Curriculum? Transformation, Emotion, and Positionality in Teaching (2020)‘Go home to the second wave!’: Discourses of trans inclusion and exclusion in a queer women’s online community (2022)Readers, reading and reception of translated fiction in Chinese: Novel encounters (2013)Culturally Sustaining Pedagogy (2012)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Culturally Responsive School Leadership (2016)
this work references cited by second hop

References

  • 2024Ideology and Ideological State Apparatuses2,029 cited
  • 2008Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language727 cited
  • 1996Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place.563 cited
  • 2013Portrait of the Artist as a Young Man412 cited
  • 2021The Master’s Tools Will Never Dismantle the Master’s House220 cited
  • 1996The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s205 cited
  • 2008Hip Hop as dusty foot philosophy: Engaging locality73 cited
  • 2001“WE ARE ALL MALCOLM X!”: NEGU GORRIAK, HIP HOP, AND THE BASQUE POLITICAL IMAGINARY40 cited
  • 2005Two-Way Mirrors: Cross-Cultural Studies in Glocalization36 cited

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