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“Grateful” Children and “Humanitarian” Marines: Georgette “Dickey” Chapelle’s Vietnam Photography, 1962
16 references·0 citing·36 second hop
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References

  • 1936The National Geographic Magazine748 cited
  • 2001Tender violence: domestic visions in an age of U.S. imperialism619 cited
  • 2008Imaging Humanitarianism: NGO Identity and the Iconography of Childhood248 cited
  • 1990The Remasculinization of America: Gender and the Vietnam War239 cited
  • 1994Innocents Abroad: Western Fantasies of Childhood and the Iconography of Emergencies236 cited
  • 2003Public Identity and Collective Memory in U.S. Iconic Photography: The Image of "Accidental Napalm"202 cited
  • 1978Photography193 cited
  • 1995De-scribing Empire: Post-Colonialism and Textuality181 cited
  • 1989Shooting war: photography and the American experience of combat111 cited
  • 2015Humanitarian Photography108 cited
  • 2005Photography, War, Outrage105 cited
  • 2015“A horrific photo of a drowned Syrian child”: Humanitarian photography and NGO media strategies in historical perspective89 cited
  • 2011Images of liberation? Visual framing, humanitarianism and British press photography during the 2003 Iraq invasion85 cited
  • 2015Emotions and the Global Politics of Childhood71 cited
  • 2001The Girl in the Picture: The Story of Kim Phuc, the Photograph, and the Vietnam War

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60 cited
  • 2015Afterimages42 cited
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