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Cited by

• 2012Mimesis and Motivation: The Two Faces of Fictional Coherence45 cited
• 2019Frame by Frame34 cited
• 2016Neoformalismus und Kognitive Filmtheorie27 cited
• 2014Blood Splats and Bodily Collapse: Reported Realism and the Perception of Violence in Combat Films and Video Games15 cited
• 2008A new look at the concept of style in film: the origins and development of the problem–solution model9 cited
• 2018Frame by Frame: A Materialist Aesthetics of Animated Cartoons8 cited
• 2019Norms, Forms and Roles: Notes on the Concept of Norm (Not Just) in Neoformalist Poetics of Cinema7 cited
• 2011Ostrannenie. On “Strangeness“ and the Moving Image: The History, Reception, and Relevance of a Concept7 cited
• 1997Inanimations: "Snow White" and "Ivan the Terrible"6 cited
• 2011Eisenstein’s choreography in Ivan the Terrible5 cited
• 2008How Not to Think Film Music3 cited