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The Materiality of Virtual Technologies: A New Approach to Thinking about the Impact of Multimedia in Museums
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The Materiality of Virtual Technologies: A New Approach to Thinking about the Impact of Multimedia in Museums (2007)The Materiality of Virtual Technologies: …Bringing the past to life: The rhetorical construction of authenticity through digital media in museum exhibitions (2025)Bringing the past to life: Th…Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberra (2024)Tokens of love and loss: Plug…For the people: How we make online LAM collections more democratized (2024)For the people: How we make o…Special Issue Editorial: Digital (and) Materiality in Museums (2021)Special Issue Editorial: Digi…Radical Intangibles: Materializing the Ephemeral (2021)Radical Intangibles: Material…Interroger le rôle de l’espace dans le musée (2017)Interroger le rôle de l’espac…Embodied Tuning: Interfacing Danish Radio Heritage (2014)Embodied Tuning: Interfacing …A Museological Approach: Radio as Immaterial Heritage (2012)A Museological Approach: Radi…�Breaking the glass : preserving social history in virtual environments (2011)�Breaking the glass : preserv…Te Papa: A Forum for the World? A Narrative Exploration of a Global Public Sphere (2010)Te Papa: A Forum for the Worl…Handbook of Qualitative Research (1994)Basics of qualitative research : techniques and procedures for developing grounded theory (1998)Distinction: A Social Critique of the Judgement of Taste* (2018)THE ROLE OF TUTORING IN PROBLEM SOLVING * (1976)THE ROLE OF TUTORING IN PROBLEM SOLVING (2006)9. The Generation Of Postmemory (2008)Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study (2022)Being Digital (1995)Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)The Language of New Media (2002)The Computer for the 21st Century (1991)Collective Memory and Cultural Identity (1995)The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview (2015)Museums and the Interpretation of Visual Culture (2020)Interfacing with history: curating with audio augmented objects (2024)The Cultural Logic of the Late Capitalist Museum (1990)Double exposures : the subject of cultural analysis (1996)Civilizing Rituals: Inside Public Art Museums. (1998)Mapping the Margins: Intersectionality, Identity Politics, and Violence against Women of Color (1991)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Reassembling the social: An introduction to actor‐network‐theory (2008)A material history of bits (2011)Digital Ethnography: Principles and Practice (2015)The Work of Art in the Age of Mechanical Reproduction (2018)Current Digital Archaeology (2022)AI in Museums (2023)AI in Museums (2023)Feminist Theory: From Margin to Center (1984)Feminist Theory: From Margin to Center (1985)Sorting Things Out (1999)Meeting the Universe Halfway: Realism and Social Constructivism without Contradiction (1996)GILLES DELEUZE (2001)Interpreting Objects and Collections (2010)Reading images: the grammar of visual design (1996)Abductive Analysis (2014)An Introduction to Functional Grammar (2014)
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Cited by

  • 2021Radical Intangibles: Materializing the Ephemeral15 cited
  • 2021Special Issue Editorial: Digital (and) Materiality in Museums13 cited
  • 2014Embodied Tuning: Interfacing Danish Radio Heritage7 cited
  • 2012A Museological Approach: Radio as Immaterial Heritage6 cited
  • 2017Interroger le rôle de l’espace dans le musée4 cited
  • 2010Te Papa: A Forum for the World? A Narrative Exploration of a Global Public Sphere4 cited
  • 2024For the people: How we make online LAM collections more democratized3 cited
  • 2025Bringing the past to life: The rhetorical construction of authenticity through digital media in museum exhibitions3 cited
  • 2011�Breaking the glass : preserving social history in virtual environments3 cited
  • 2024Tokens of love and loss: Plugging into the affective entanglements of online museum spaces exhibiting tokens of love and loss at the Foundling Museum, London; Museo degli Innocenti, Florence; National Museum of Australia, Canberra2 cited

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