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“Music Version” versus “Vocals-Only”: Islamic Pop Music, Aesthetics, and Ethics
9 references·2 citing·31 second hop
“Music Version” versus “Vocals-Only”: Islamic Pop Music, Aesthetics, and Ethics (2019)“Music Version” versus “Vocals-Only”: Isl…Soundtrack of the Revolution (2020)Soundtrack of the RevolutionReligion and popular music in Europe: New expressions of sacred and secular identity (2012)Religion and popular music in…I Did It My Way: Rock and the Logic of Covers (2010)I Did It My Way: Rock and the…Arab Television Industries (2009)Arab Television IndustriesThe Garland Encyclopedia of World Music (2001)The Garland Encyclopedia of W…Islam and the political discourse of modernity (1999)Islam and the political disco…Mass culture and modernism in Egypt (1997)Mass culture and modernism in…Music in the world of Islam: a socio-cultural study (1995)Music in the world of Islam: …Music, Musicians and Muslim Law (1985)Music, Musicians and Muslim L…Vielfalt. Musikgeragogik und interkulturelles Musizieren (2022)Vielfalt. Musikgeragogik und …The Awakening of Islamic Pop Music (2021)The Awakening of Islamic Pop …Sincerity and Authenticity (1972)Image-Music-Text (1977)Performing rites: on the value of popular music (1997)‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)Pat Boone’s last laugh: Cover versions and the performance of knowledge (2017)Die Coverversion als Wiederholung und Differenz. Gedächtnissoziologische Anmerkungen mit Rücksicht auf das Nachahmungskonzept bei Gabriel Tarde (2020)Genealogies of Religion: Discipline and Reasons of Power in Christianity and Islam. (1994)Social Movements: An Introduction (2000)Nietzsche, Genealogy, History (2019)Feminist Theory, Agency, and the Liberatory Subject: Some Reflections on the Islamic Revival in Egypt (2006)Islamism and Social Reform in Kerala, South India (2007)What's so ‘religious’ about ‘religious terrorism’? (2011)Blue Suede Shoes to Doc Marten Boots (2016)Religion and heavy metal music in Indonesia (2019)Creating Spiritual Spaces Through the Music of Arvo Pärt and Ljubica Marić (2022)The sacred music of Islam:Samā’in the Persian Sufi tradition (1997)“You are in a place that is out of the world. . .”: Music in the Detention Camps of the “Global War on Terror” (2008)Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Islam, the Turkish state and arabesk (1992)The Many Faces of Improvisation: The Arab Taqasim as a Musical Symbol (2000)Introduction: Islamic Sounds and the Politics of Listening (2014)Paradoxes of Gender, Technology, and the Pandemic in the Iranian Music Industry (2020)Belly Dance: Orientalism—Exoticism—Self-Exoticism (2003)Music education in China: In search of social harmony and Chinese nationalism (2011)Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology (2012)The Interpretation of Culture(s) after Television (1997)Form and Ideology: Arabic Sociolinguistics and Beyond (2000)Anthropologies of Arab-Majority Societies (2012)Towards a Supranational Analysis of Arab Media: The Role of Cities (2013)Subtitling Islam: Translation, Mediation, Critique (2017)De-territorialized digital capitalism and the predicament of the nation-state: Netflix in Arabia (2020)
this work references cited by second hop

References

  • 1997Mass culture and modernism in Egypt270 cited
  • 1999Islam and the political discourse of modernity190 cited
  • 2009Arab Television Industries176 cited
  • 1985Music, Musicians and Muslim Law139 cited
  • 1995Music in the world of Islam: a socio-cultural study104 cited
  • 2010I Did It My Way: Rock and the Logic of Covers88 cited
  • 2001The Garland Encyclopedia of World Music71 cited
  • 2020Soundtrack of the Revolution39 cited
  • 2012Religion and popular music in Europe: New expressions of sacred and secular identity19 cited

Cited by

  • 2021The Awakening of Islamic Pop Music12 cited
  • 2022Vielfalt. Musikgeragogik und interkulturelles Musizieren5 cited

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