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« Penser sensiblement » la musique : production et description du matériau harmonique dans le troisième mouvement du Marteau sans maître
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« Penser sensiblement » la musique : production et description du matériau harmonique dans le troisième mouvement du Marteau sans maître (2006)« Penser sensiblement » la musique : prod…More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962) (2020)More than Meets the Eye: Deri…Middleground Structure in the Cadenza to Boulez’s Éclat (2019)Middleground Structure in the…The Integrity of Boulez’s Integral Serialism: Polyphonie X and Musical Failure as Compositional Success (2017)The Integrity of Boulez’s Int…Between Freedom and Control (2017)Between Freedom and ControlTHE FIRST FIFTY YEARS. (1963)Foundations of Music History (1983)Orientations Collected Writings (1986)Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Transformational Techniques in Atonal and Other Music Theories (1982)Generalized Musical Intervals and Transformations (1988)Stocktakings from an apprenticeship (1992)Stravinsky: The Progress of a Method (1962)Pierre Boulez: a world of harmony (1991)Pitch-Class Set Multiplication in Theory and Practice (1998)Collected Poems and Other Verse (2006)
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  • 2020More than Meets the Eye: Derivations and Stratification in Boulez's ‘Don’ (1962)18 cited
  • 2017Between Freedom and Control6 cited
  • 2017The Integrity of Boulez’s Integral Serialism: Polyphonie X and Musical Failure as Compositional Success6 cited
  • 2019Middleground Structure in the Cadenza to Boulez’s Éclat3 cited

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