Contemporary Italian Filmmaking

Manuela Gieri

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Cinema History and Criticism Italian Literature and Culture Ethics, Aesthetics, and Art

Abstract

Gieri traces a history of the Pirandellian mode in cinema and investigates its characteristics, demonstrating the original nature of Italian filmmaking that is particularly indebted to Pirandello's interpretation of humour.

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2013Lo strappo nella coscienza del lettore (spettatore) in Pirandello (e Pasolini)

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