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Analyzing Opera
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Cited by

  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2018Film‐as‐Concert Music and the Formal Implications of ‘Cinematic Listening’53 cited
  • 1994Discourse and the film text: Four readings ofCarmen51 cited
  • 1990Mozart's operas and the myth of musical unity43 cited
  • 2020The Cambridge Companion to Wagner's Der Ring des Nibelungen24 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2012Genre and poetics8 cited
  • 2006Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack7 cited
  • 2021Formalising Star Clusters: Sonata Process and Breakthrough Function in the Adagio of Mahler's Tenth Symphony6 cited
  • 2012Voices and singers6 cited
  • 2012Opera and gender studies5 cited
  • 2012

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The dramaturgy of opera
5 cited