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Partial Signatures and Musica Ficta in Some Early 15th-Century Sources
3 references·0 citing·7 second hop
Partial Signatures and Musica Ficta in Some Early 15th-Century Sources (1953)Partial Signatures and Musica Ficta in So…Studies in Medieval and Renaissance Music (1951)Studies in Medieval and Renai…THE FUNCTION OF CONFLICTING SIGNATURES IN EARLY POLYPHONIC MUSIC (1945)THE FUNCTION OF CONFLICTING S…The Works of Francesco Landini (1942)The Works of Francesco LandiniConflicting Views on Conflicting Signatures (1954)Signature-systems and tonal types in the fourteenth-century French chanson (1995)Mensural Polyphony for Choir in 15th-Century England (1966)The Origin of the Hocket (1978)‘Stroke’ and ‘strene’ notation in fifteenth- and sixteenth-century equal-note cantus firmi (1993)The Structure of MS Panciatichi 26 and the Transmission of Trecento Polyphony (1981)Metapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music (2018)
this work references cited by second hop

References

  • 1951Studies in Medieval and Renaissance Music15 cited
  • 1945THE FUNCTION OF CONFLICTING SIGNATURES IN EARLY POLYPHONIC MUSIC11 cited
  • 1942The Works of Francesco Landini8 cited

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