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Variety Music Cavalcade
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Variety Music Cavalcade (1963)Variety Music CavalcadeProperty Rights and the Efficient Exploitation of Copyrighted Works: An Empirical Analysis of Public Domain and Copyrighted Fiction Bestsellers (2008)Property Rights and the Effic…Tonal traditions in art music since 1960 (1998)Tonal traditions in art music…The rock and roll era (1998)The rock and roll eraSerialism and complexity (1998)Serialism and complexitySecular music to 1800 (1998)Secular music to 1800Sacred music to 1800 (1998)Sacred music to 1800Ragtime and early jazz (1998)Ragtime and early jazzNineteenth-century popular music (1998)Nineteenth-century popular mu…Music in America: an overview (part 2) (1998)Music in America: an overview…Music in America: an overview (part 1) (1998)Music in America: an overview…Immigrant, folk, and regional musics in the twentieth century (1998)Immigrant, folk, and regional…Immigrant, folk, and regional musics in the nineteenth century (1998)Immigrant, folk, and regional…Avant-garde and experimental music (1998)Avant-garde and experimental …Art music from 1860 to 1920 (1998)Art music from 1860 to 1920American Indian musics, past and present (1998)American Indian musics, past …African American music to 1900 (1998)African American music to 1900Anatomy of Criticism (1957)Subculture: The Meaning of Style. (1981)Modernity at Large: Cultural Dimensions of Globalization. (1998)Experimental Actions, the Outcomes of WhichAreForeseen: Experiment and Tradition in Conlon Nancarrow's Studies nos 21 and 36 for Player Piano (2008)Princeton Theory's Problematics (2013)The heroic age of American avant-garde art (2015)Property in Land (1993)Indefinitely Renewable Copyright (2003)Seventeen Famous Economists Weigh in on Copyright: The Role of Theory, Empirics, and Network Effects (2004)Dead Poets' Property - The Copyright Act of 1814 and the Price of Books in the Romantic Period (2012)Copyright and the Value of the Public Domain: An Empirical Assessment (2015)The Black Atlantic: Modernity and Double Consciousness (1994)Clef Club Inc.: James Reese Europe and New York's Musical Marketplace (2012)Subculture: The Meaning of Style (1995)Bijelo dugme Concert in Hajdučka česma in Belgrade (1977): Social event of the Utmost Importance and Recognition of a Unique Phenomenon (2015)The Black Atlantic: Modernity and Double Consciousness. (1997)Embodying Musical Heritage in a New–Old Profession: American Jewish Cantorial Schools, 1904–1939 (2017)The structures of musical life (2001)The (Mis)Representation of African American Music: The Role of the Fiddle (2016)The New England Singing School: Ritual Change and Religious Culture in Revolutionary America (2011)Sounds of Sympathy: William Wells Brown’s Anti-Slavery Harp , Abolition, and the Culture of Early and Antebellum American Song (2014)Allegro scorrevole in Carter's First String Quartet: Crawford and the Ultramodern Inheritance (2014)
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  • 2008Property Rights and the Efficient Exploitation of Copyrighted Works: An Empirical Analysis of Public Domain and Copyrighted Fiction Bestsellers28 cited
  • 1998African American music to 190025 cited
  • 1998Ragtime and early jazz17 cited
  • 1998Avant-garde and experimental music11 cited
  • 1998American Indian musics, past and present9 cited
  • 1998Nineteenth-century popular music9 cited
  • 1998Sacred music to 18007 cited
  • 1998Serialism and complexity6 cited
  • 1998Immigrant, folk, and regional musics in the nineteenth century6 cited
  • 1998The rock and roll era5 cited
  • 1998Immigrant, folk, and regional musics in the twentieth century5 cited
  • 1998Tonal traditions in art music since 19604 cited
  • 1998Art music from 1860 to 19203 cited
  • 1998Music in America: an overview (part 1)3 cited
  • 1998Music in America: an overview (part 2)3 cited
  • 1998Secular music to 18002 cited

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