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Brahms studies: analytical and historical perspectives
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  • 1999Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio65 cited
  • 1997Brahms and the Poetic Motto: A Hermeneutic Aid?34 cited
  • 1994Themes and Double Themes: The Problem of the Symphonic in Brahms30 cited
  • 1995Brahms, Song Quotation, and Secret Programs24 cited
  • 2012Agency and Information Content in Eighteenth and Early Nineteenth-Century String-Quartet Expositions20 cited
  • 2022Brahms's ‘Musical Prose’ Reconsidered19 cited
  • 2023Translating musical meaning19 cited
  • 2011Nepomuceno e Brahms: A Questão da Influência Revisitada18 cited
  • 2018“Attractor Tempi” in Brahms’s Symphony No. 2/III18 cited
  • 1991Schumann's "Parallel" Forms17 cited
  • 2021Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century16 cited
  • 2001Words and music in Germany and France15 cited
  • 2022Rethinking Brahms11 cited
  • 2010Can computational music analysis be both musical and computational?10 cited
  • 1998Brahms and the Anxiety of Allusion10 cited

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  • 2023Music in Profile7 cited