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Intimate Aesthetics and Facilitated Interaction
16 references·7 citing·30 second hop
Intimate Aesthetics and Facilitated Interaction (2014)Intimate Aesthetics and Facilitated Inter…Art as Experience (1934) (2026)Art as Experience (1934)Come Closer: Confessions of Intimate Spectators in One to One Performance (2012)Come Closer: Confessions of I…Bodily experience and imagination (2012)Bodily experience and imagina…Love, hate, arousal and engagement (2011)Love, hate, arousal and engag…The art of interaction (2010)The art of interactionCommunicating art through interactive technology (2008)Communicating art through int…Collaborative analysis framework for evaluating interactive art experience (2006)Collaborative analysis framew…Performance Theory (2003)Performance TheoryVirtual Art (2002)Virtual ArtThe Artist's Body (2000)The Artist's BodyPerforming Live: Aesthetic Alternatives for the Ends of Art (2000)Performing Live: Aesthetic Al…Performing Live (2000)Performing LiveThe Art of Interaction: Interactivity, Performativity, and Computers (1997)The Art of Interaction: Inter…From Ritual to Theatre: The Human Seriousness of Play (1983)From Ritual to Theatre: The H…From ritual to theatre : the human seriousness of play (1982)From ritual to theatre : the …The Rites Of Passage (1961)The Rites Of Passage‘Breathing-with’: a design tactic for the more-than-human (2023)‘Breathing-with’: a design ta…Linking Audience Physiology to Choreography (2022)Linking Audience Physiology t…Designing Interactive Visuals for Dance from Body Maps: Machine Learning and Composite Animation Approaches (2022)Designing Interactive Visuals…Saving Face: Shared Experience and Dialogue on Social Touch, in Playful Smart Public Space (2019)Saving Face: Shared Experienc…EEG KISS: Shared Multi-modal, Multi Brain Computer Interface Experience, in Public Space (2019)EEG KISS: Shared Multi-modal,…Pre-Learning Experiences with Co-Creative Agents in Museums (2017)Pre-Learning Experiences with…Evaluation and Experience in Art (2014)Evaluation and Experience in …A circumplex model of affect. (1980)Audience experience : measuring quality in the performing arts (2009)The role of the arts and humanities in human flourishing: A conceptual model (2017)Unobtrusive Assessment of Students' Emotional Engagement during Lectures Using Electrodermal Activity Sensors (2018)Using Unobtrusive Wearable Sensors to Measure the Physiological Synchrony Between Presenters and Audience Members (2019)Theatre of the oppressed (2020)Culture and Consumption: A Theoretical Account of the Structure and Movement of the Cultural Meaning of Consumer Goods (1986)River Magic: Extraordinary Experience and the Extended Service Encounter (1993)Identity and agency in cultural worlds (1999)Performing Autoethnography: An Embodied Methodological Praxis (2001)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Qualitative Analysis for Social Scientists (1987)Stories of Experience and Narrative Inquiry (1990)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)My Life as a Night Elf Priest (2010)The Ontology of Interactive Art (2001)What Is Interactivity? (2009)Mapping the digital empire: Google Earth and the process of postmodern cartography (2010)Three Voices: Researching how somatic education informs contemporary dance technique classes (2002)Fractured identities: injury and the balletic body (2004)‘Failing on Deaf Ears’: A Postphenomenology of Sonorous Presence (2009)A history of virtual reality in performance (2006)Self-Negating Images: Towards An-Iconology (2017)User attention and behaviour in virtual reality art encounter (2022)Street Performance and the City (2011)Geographies of the Performing Arts: Landscapes, Places and Cities (2012)Design games in codesign: as a tool, a mindset and a structure (2014)Toward a Phenomenological Model of the Actor's Embodied Modes of Experience (2004)Cultural sociology and new forms of distinction (2015)
this work references cited by second hop

References

  • 2026Art as Experience (1934)5,188 cited
  • 1961The Rites Of Passage4,044 cited
  • 1983From Ritual to Theatre: The Human Seriousness of Play2,120 cited
  • 1982From ritual to theatre : the human seriousness of play1,707 cited
  • 2003Performance Theory429 cited
  • 2002Virtual Art231 cited
  • 2000Performing Live150 cited
  • 2000Performing Live: Aesthetic Alternatives for the Ends of Art138 cited
  • 2011Love, hate, arousal and engagement125 cited
  • 1997The Art of Interaction: Interactivity, Performativity, and Computers67 cited
  • 2010The art of interaction65 cited
  • 2012Come Closer: Confessions of Intimate Spectators in One to One Performance51 cited
  • 2000The Artist's Body46 cited
  • 2006Collaborative analysis framework for evaluating interactive art experience37 cited
  • 2012Bodily experience and imagination33 cited
  • 2008Communicating art through interactive technology28 cited

Cited by

  • 2022

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Designing Interactive Visuals for Dance from Body Maps: Machine Learning and Composite Animation Approaches
21 cited
  • 2014Evaluation and Experience in Art20 cited
  • 2022Linking Audience Physiology to Choreography19 cited
  • 2019EEG KISS: Shared Multi-modal, Multi Brain Computer Interface Experience, in Public Space12 cited
  • 2023‘Breathing-with’: a design tactic for the more-than-human12 cited
  • 2019Saving Face: Shared Experience and Dialogue on Social Touch, in Playful Smart Public Space7 cited
  • 2017Pre-Learning Experiences with Co-Creative Agents in Museums1 cited