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Allgemeine Theorie der sch�nen K�nste
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  • 2005History of Modern Aesthetics103 cited
  • 2006The History of Eighteenth-Century Philosophy: History or Philosophy?85 cited
  • 2018Wordsworth and the Poetics of Air30 cited
  • 2014Difference and Enlightenment in Haydn’s instrumental music27 cited
  • 2000Philosophical Reflection on History25 cited
  • 2006Philosophy of Language24 cited
  • 2011Situating opera: period, genre, reception21 cited
  • 2018An Eighteenth-Century Theory of Musical Cognition?20 cited
  • 2015The Music of the Living-Dead15 cited
  • 2018HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY13 cited
  • 2008Listening to Others: Eighteenth-Century Encounters in Polynesia and Their Reception in German Musical Thought13 cited
  • 2010Choral Research : A Global Bibliography13 cited
  • 2018The Legacy of ‘ Ariadne’ and the Melodramatic Sublime3 cited
  • 2013Rhythmic Accent and the Absolute: Sulzer, Schelling and theAkzenttheorie2 cited
  • 2013Johann Philipp Kirnberger and Authorship2 cited
  • 2014

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Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice
2 cited