SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Documenting America, 1935-1943
0 references·7 citing·32 second hop
Documenting America, 1935-1943 (1989)Documenting America, 1935-1943Reading for Recognition (2013)Reading for RecognitionEconomics for the Masses: The Visual Display of Economic Knowledge in the United States (1910-45) (2013)Economics for the Masses: The…What Is This a Picture Of?: Some Thoughts on Images and Archives (2006)What Is This a Picture Of?: S…Melancholy Realism: Walker Evans's Resistance to Meaning (2003)Melancholy Realism: Walker Ev…Documentary as art inU. S. Camera (2001)Documentary as art inU. S. Ca…Memory as Identity: The Invention of the Lower East Side (1997)Memory as Identity: The Inven…"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake (1996)"The Color of My Skin, the Sh…Allegories of Reading: Figural Language in Rousseau, Nietzsche, Rilke, and Proust (1980)For a Critique of the Political Economy of the Sign (1980)Archive Fever: A Freudian Impression (1995)No Democracy in Quality: Ansel Adams, Beaumont and Nancy Newhall, and the Founding of the Department of Photographs at the Museum of Modern Art (2010)Iconic Rituals: Towards a Social Theory of Encountering Images (2012)Picture-Work (2023)Image-Music-Text (1977)The Burden of Representation: Essays on Photographies and Histories. (1989)Googling the Archive: Digital Tools and the Practice of History (2012)The Body and the Archive * (2017)The Rhetorical Power of Archival Description: Classifying Images of Gender Transgression (2017)Toward a model for digital tool criticism: Reflection as integrative practice (2018)Michael Kammen . Mystic Chords of Memory: The Transformation of Tradition in American Culture. New York: Alfred A. Knopf. 1991. Pp. viii, 864. $40.00 (1993)Recovered Roots: Collective Memory and the Making of Israeli National Tradition (1996)Pictures vs. Words? Public History, Tolerance, and the Challenge of Jacob Riis (2004)»Let Us Now Praise Famous Men« (2006)The body in pain (1985)The Critical Image: Essays on Contemporary Photography (1990)The Spaces of Human Confinement: Manzanar Photography and Landscape Ideology (2008)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Picture theory: essays on verbal and visual representation (1994)My iPod, My iCon: How and Why Do Images Become Icons? (2008)AnotherPunctum: Animation, Affect, and Ideology (2013)Rodzina człowiecza. Recepcja wystawy "The Family of Man" w Polsce a humanistyczny paradygmat fotografii (2021)Multiculturalism: Examining the Politics of Recognition. (1994)Democracy in America (2000)Redistribution or Recognition?: A Political-Philosophical Exchange (2003)Elevator Fiction: Robert Coover, Colson Whitehead, and the Sense of Infrastructure (2017)How the other half lives: Studies among the tenements of New York. (1890)Experience and Education (1986)Knowledge in Transit (2004)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2006What Is This a Picture Of?: Some Thoughts on Images and Archives39 cited
  • 1996"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake29 cited
  • 2003Melancholy Realism: Walker Evans's Resistance to Meaning24 cited
  • 2013Reading for Recognition21 cited
  • 2013Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1910-45)19 cited
  • 1997Memory as Identity: The Invention of the Lower East Side15 cited
  • 2001Documentary as art inU. S. Camera9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work