SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity
16 references·0 citing·39 second hop
Ostinatos in Black-Atlantic traditions: generic-specific similarity and proximity (2022)Ostinatos in Black-Atlantic traditions: g…Africa and the Blues (2008)Africa and the BluesO Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion (2006)O Suingue Baiano: Rhythmic Fe…The Geometry of Musical Rhythm (2005)The Geometry of Musical RhythmThe Guajira between Cuba and Spain: A Study in Continuity and Change (2004)The Guajira between Cuba and …Circles and Time (2000)Circles and TimeTurning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory (1996)Turning the Analysis around: …Judging "By the Beat": Calypso versus Soca (1996)Judging "By the Beat": Calyps…Maximally Even Sets (1991)Maximally Even SetsFiliation of Innovation? Some Hypotheses to Overcome the Dilemma of Afro-American Music's Origins (1991)Filiation of Innovation? Some…Coordination of Interval Sizes in Seven-Tone Collections (1991)Coordination of Interval Size…African Polyphony and Polyrhythm (1991)African Polyphony and Polyrhy…Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Tonal Organization in the Music of Two Venda Initiation Schools (1970)Tonal Organization in the Mus…The Music of Central Africa (1961)The Music of Central Africa"Hot" Rhythm in Negro Music (1948)"Hot" Rhythm in Negro MusicLaws of organization in perceptual forms. (1938)Laws of organization in perce…Gestalt Psychology: An Introduction to New Concepts in Modern Psychology (1970)The Structure of Atonal Music (1973)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Form as Process: The Buildup Introduction in Popular Music (2015)Performance Practice in the Music of Steve Reich (2016)African Religions and Philosophy (1969)Participatory Discrepancies and the Power of Music (1987)The Theory of Participatory Discrepancies: A Progress Report (1995)Performing Gender in the Trinidad Calypso (2004)Bourdieu, Language and the Media (2010)Rhythms of the Afro-Atlantic world: rituals and remembrances (2011)The Structure of Atonal Music (1974)Hemiola, Maximal Evenness, and Metric Ambiguity in Late Ligeti (2012)An Approach to Musical Rhythm in Agbadza (2019)Layers and Elasticity in the Rhythm of Noh Songs (2019)The Significance of the Relationship between Afro-American Music and West African Music (1974)African Rhythm: A Reassessment (1980)Principles of Offbeat Timing and Cross-Rhythm in Southern Eve Dance Drumming (1982)Gearing Time Toward Musical Creativity: Conceptual Integration and Material Anchoring in Xenakis’ Psappha (2021)Investigating Music-Dance Relationships (2021)West African Polyrhythm: culture, theory, and representation (2021)Learning at a distance I. Statistical learning of non-adjacent dependencies (2003)Cognitive Linguistics (2004)Optimality Theory: Constraint Interaction in Generative Grammar (2004)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)The Rhythmic Structure of West African Music (1987)Bamako Sounds: The Afropolitan Ethics of Malian Music (2015)On Flogging the Dead Horse, Again: Historicity, Genealogy, and Objectivity in Richard Waterman’s Approach to Music (2015)Ngaraya: Women and musical mastery in Mali (2007)The structure of cross-cultural musical diversity (2011)Thoughts on an Interdiscipline: Music Theory, Analysis, and Social Theory in Ethnomusicology (2012)Aspects of Well-Formed Scales (1989)Scale Networks and Debussy (2004)The distance geometry of music (2008)Synchronous chorusing and the origins of music (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)
this work references cited by second hop

References

  • 1938Laws of organization in perceptual forms.1,565 cited
  • 1991African Polyphony and Polyrhythm231 cited
  • 1991Maximally Even Sets203 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 1996Judging "By the Beat": Calypso versus Soca69 cited
  • 2008Africa and the Blues65 cited
  • 1996Turning the Analysis around: Africa-Derived Rhythms and Europe-Derived Music Theory55 cited
  • 2005The Geometry of Musical Rhythm52 cited
  • 1948"Hot" Rhythm in Negro Music43 cited
  • 2000Circles and Time37 cited
  • 1970Tonal Organization in the Music of Two Venda Initiation Schools34 cited
  • 2006O Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion33 cited
  • 1991Coordination of Interval Sizes in Seven-Tone Collections33 cited
  • 1961The Music of Central Africa33 cited
  • 1991Filiation of Innovation? Some Hypotheses to Overcome the Dilemma of Afro-American Music's Origins32 cited
  • 2004The Guajira between Cuba and Spain: A Study in Continuity and Change31 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

No citing works inside the corpus for this window.