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“Foundations of a great metaphysical style”: unraveling Giorgio de Chirico’s early palette
12 references·0 citing·38 second hop
“Foundations of a great metaphysical style”: unraveling Giorgio de Chirico’s early palette (2022)“Foundations of a great metaphysical styl…Raman spectroscopy of the photosensitive pigment Prussian blue (2018)Raman spectroscopy of the pho…Pigment Compendium: Optical Microscopy of Historical Pigments (2013)Pigment Compendium: Optical M…Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library (2012)Identification of synthetic o…Bleached shellac picture varnishes: characterization and case studies (2010)Bleached shellac picture varn…From Giotto to De Chirico to Verrocchio: analyses of paintings and historical bronze alloys availing of portable EDXRF equipment (2006)From Giotto to De Chirico to …Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Earth pigments in painting: c…The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources (2002)The Artist's Assistant, Oil P…Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics (2001)Non‐destructive analysis of p…Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Ochre-differentiation through…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Surrealism and Painting (1974)Surrealism and PaintingThe materials and techniques of medieval painting (1956)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Modern analytical methods in art and archaeology (2000)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Clay and iron oxide pigments in the history of painting (2003)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)Rational Decision-Making in the Preservation of Cultural Property (2002)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Raman microscopy in archaeological science (2004)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? 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References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)1,000 cited
  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2000Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece351 cited
  • 2018Raman spectroscopy of the photosensitive pigment Prussian blue220 cited
  • 2005Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis177 cited
  • 2012Identification of synthetic organic pigments: the role of a comprehensive digital Raman spectral library174 cited
  • 2013Pigment Compendium: Optical Microscopy of Historical Pigments147 cited
  • 2002The Artist's Assistant, Oil Painting Instruction Manuals and Handbooks in Britain 1800-1900 With Reference to Selected Eighteenth-Century Sources95 cited
  • 1974Surrealism and Painting89 cited
  • 2001Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics72 cited
  • 2010Bleached shellac picture varnishes: characterization and case studies27 cited
  • 2006From Giotto to De Chirico to Verrocchio: analyses of paintings and historical bronze alloys availing of portable EDXRF equipment9 cited

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