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Visualising iron gall ink underdrawings in sixteenth century paintings in-situ by micro-XRF scanning (MA-XRF) and LED-excited IRR (LEDE-IRR)
16 references·1 citing·30 second hop
Visualising iron gall ink underdrawings in sixteenth century paintings in-situ by micro-XRF scanning (MA-XRF) and LED-excited IRR (LEDE-IRR) (2022)Visualising iron gall ink underdrawings i…Visualizing underdrawings in medieval manuscript illuminations with macro‐X‐ray fluorescence scanning (2018)Visualizing underdrawings in …Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Recent developments in spectr…New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques (2016)New insight on the underdrawi…Lead soaps in paintings: Friends or foes? (2016)Lead soaps in paintings: Frie…Cennino Cennini's Il Libro dell'Arte: A new English translation and commentary with Italian transcription (2016)Cennino Cennini's Il Libro de…Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Strategies for processing meg…Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography (2014)Examination of historical pai…Conservation of Easel Paintings (2013)Conservation of Easel Paintin…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)Optimization of mobile scanni…Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Visualization of a Lost Paint…A New Camera for High-Resolution Infrared Imaging of Works of Art (2006)A New Camera for High-Resolut…X-ray Fluorescence Analysis of Iron Gall Inks, Pencils and Coloured Crayons (2005)X-ray Fluorescence Analysis o…Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry (2004)Characterization of iron‐gall…Spektrale Fenster zur Vergangenheit Ein neues Reflektographieverfahren zur Untersuchung von Buchmalerei und historischem Schriftgut (1995)Spektrale Fenster zur Vergang…REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)REFLECTOGRAPHY OF PAINTINGS U…A holistic approach to understanding the iron-gall inks in the historical documents of the Portuguese Inquisition (1570–1790) (2022)A holistic approach to unders…Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)X-ray fluorescence spectrometry in art and archaeology (2000)ArtTAX – a new mobile spectrometer for energy-dispersive micro X-ray fluorescence spectrometry on art and archaeological objects (2001)Investigation of oxidation and migration processes of inorganic compounds in ink-corroded manuscripts (2004)A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials (2008)The joined use of n.i. spectroscopic analyses – FTIR, Raman, visible reflectance spectrometry and EDXRF – to study drawings and illuminated manuscripts (2008)Cross-Sections and Chemical Analysis of Paint Samples (1956)Near-infrared spectroscopic imaging in art conservation: investigation of drawing constituents (2003)Scanning Multispectral IR Reflectography SMIRR: An Advanced Tool for Art Diagnostics (2010)The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)Mass spectrometry with laser sampling: A new tool to characterize archaeological materials (2001)Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience (2016)Hyperspectral imaging and spectral classification for pigment identification and mapping in paintings by El Greco and his workshop (2018)Reflectance imaging spectroscopy in heritage science (2020)National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)The Characterization of Metal Soaps (2003)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Joint data treatment for Vis–NIR reflectance imaging spectroscopy and XRF imaging acquired in the Theban Necropolis in Egypt by data fusion and t-SNE (2018)XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique (2018)X‐ray Diffraction Mapping for Cultural Heritage Science: a Review of Experimental Configurations and Applications (2019)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)The crystallization of metal soaps and fatty acids in oil paint model systems (2016)A review of solvent action on oil paint (2020)Pigments—Iron-based red, yellow, and brown ochres (2022)
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References

  • 2008Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping317 cited
  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2011Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings188 cited
  • 2015Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus184 cited
  • 2013Conservation of Easel Paintings184 cited
  • 2017Recent developments in spectroscopic imaging techniques for historical paintings - A review177 cited
  • 2004Characterization of iron‐gall inks in historical manuscripts and music compositions using x‐ray fluorescence spectrometry127 cited
  • 2014Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography116 cited
  • 2016Lead soaps in paintings: Friends or foes?114 cited
  • 1969REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM105 cited
  • 2016Cennino Cennini's Il Libro dell'Arte: A new English translation and commentary with Italian transcription60 cited
  • 2006A New Camera for High-Resolution Infrared Imaging of Works of Art43 cited
  • 2005X-ray Fluorescence Analysis of Iron Gall Inks, Pencils and Coloured Crayons43 cited

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  • 1995Spektrale Fenster zur Vergangenheit Ein neues Reflektographieverfahren zur Untersuchung von Buchmalerei und historischem Schriftgut36 cited
  • 2018Visualizing underdrawings in medieval manuscript illuminations with macro‐X‐ray fluorescence scanning26 cited
  • 2016New insight on the underdrawing of 16th Flemish-Portuguese easel paintings by combined surface analysis and microanalytical techniques20 cited
  • Cited by

    • 2022A holistic approach to understanding the iron-gall inks in the historical documents of the Portuguese Inquisition (1570–1790)8 cited